Lesson 34 of 44Music BusinessIntermediate

Management Agreement

4:54
Pete sets out what you should consider when signing with a manager, including fees
Part of the courseMusic Business 101 for Artists44 lessons (2h 11m)

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What's in the course

44 lessons (2h 11m) · 1 free
    • 01. Negotiating Principles

      2:33

    • 02. The nature of any contract or agreement

      2:13

    • 03. Band Agreement

      3:22

    • 04. Management Agreement

      You are here

      4:54

    • 05. Record Deal

      3:05

    • 06. Publishing Deal

      2:46

Lesson transcript

Management Agreements for Artists

When considering a management agreement, there are several key factors to think about if someone shows interest in managing you:

Relationship Overview

  • Interest from a Manager: If someone is interested in you as a manager, it's good news.
  • Understanding the Relationship: Break down the relationship into basic aspects.

Activities Managed

  • Scope of Management:
    • What activities will the manager handle?
    • Nowadays, managers often cover a range of responsibilities, including:
      • Live performances
      • Recording artists
      • Songwriting
      • Personal appearances
      • DJing
      • Acting
      • Modeling

Agreement Length and Territory

  • Duration: How long will the agreement last?
  • Territory: Is it limited to the UK, Europe, or the whole world?
  • Manager's Resources: Consider what resources the manager has to manage an artist:
    • If a manager offers a deal for all activities for five years globally, ensure to ask relevant questions.

Financial Aspects

  • Commission Clause: This is a key point for most managers and artists since it concerns money.
    • Percentage Breakdown: Artists might hear "managers get 20%," but it often lacks detail about what that percentage refers to.
    • Calculating the Cut: Understand what income the commission applies to. Potential sources include:
      • Recordings
      • Songs
      • Gigs
      • Merchandising

Understanding "Net" vs. "Gross"

  • Net Income Calculation: Usually, in the UK, managers receive 20% net on live performances:
    • Calculate all income and deduct reasonable costs (e.g., travel, accommodation, PA hire, agents' fees).
    • For other income, it's typically gross but may have exclusions.

Exclusions from Commission

  • Recording Advances: If an artist receives an advance that includes recording costs and spends it on recording, managers should not earn a commission on that.

Post-Term / Sunset Provisions

  • Transition After Termination:
    • What happens when the manager stops managing the artist?
    • It's generally considered unfair if the manager suddenly gets no entitlement.
    • A fair system allows for some continued income from previous sales but not at the full commission rate indefinitely.

Logistical Considerations

  • Money Handling: Determine who receives the money:
    • Options may include an accountant, the manager, or the band.
    • For bands, it's often best to have their accountant manage funds.

In summary, management agreements involve various elements that require careful consideration to ensure fairness and clarity for both the artist and the manager.

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Meet your guru

Imogen Heap

Imogen Heap

Imogen Heap is a Grammy-winning English singer, songwriter, producer and technologist whose influence runs through two decades of pop, electronic and film music — and through much of the technology modern artists now take for granted.

Born in London in 1977 and classically trained on piano, cello and clarinet, she released her debut album 'iMegaphone' in 1998 before forming the duo Frou Frou with producer Guy Sigsworth, whose song 'Let Go' reached a global audience through the film Garden State. Her self-written, self-produced album 'Speak for Yourself' (2005) delivered 'Hide and Seek', the a cappella landmark that later powered Jason Derulo's chart-topping 'Whatcha Say' and Ariana Grande's 'Goodnight n Go', and continues to find new generations of listeners.

'Ellipse' (2009) won the Grammy Award for Best Engineered Album, Non-Classical — recorded and engineered in her own home studio — and she went on to co-write and produce 'Clean' on Taylor Swift's Album of the Year-winning '1989'. She also composed the score for the stage play 'Harry Potter and the Cursed Child'.

A relentless innovator, Heap developed the MI.MU gestural gloves — recognised with three honorary doctorates — and founded Mycelia and The Creative Passport, initiatives building a fairer data ecosystem for artists. In 2024 she returned with 'What Have You Done to Me?', created with her AI vocal alter ego Mogen, while a viral resurgence of 'Headlock' brought her music to millions of new fans.

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