Contract ground rules and money

With
Imogen HeapLucie and Katie Melua break down a music contract - the parties involved, the legal language, and how the money side of a deal is set out.
What's in the course
44 lessons (2h 11m) · 1 freeLesson transcript
Music Lesson Formatting
Overview of Contract Structure
So, we've spoken about the five headline structure elements in every contract:
- Time
- Territory
- What works
- Obligations of both sides
- Money
Shall we dive in and take a closer look?
Parties to the Contract
Let's start at the very beginning. You usually see a section that says "between" followed by the name of the manager, and then it states "hereinafter we, us, our."
Explanation of "Hereinafter"
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What does "hereinafter" refer to?
This term is used to denote the short forms of the names of the parties involved. Once you have given the formal name of one party, there will be short forms to make drafting easier. Later references in the contract that are in inverted commas will refer back to that formal introduction.
Clarity in References
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Why use "we, us, our"?
It's essential because it specifies who is being referred to in future clauses. If you ever feel confused about who "I" or "you" means, whether it's the manager or another party, always refer back to the beginning where these definitions are made clear.
Setting the Scene
The first part of the contract involves:
- Identifying the Parties: Confirming who is involved in the agreement.
- Fundamental Aspects: Outlining what the agreement includes and the roles of each party.
This section acts as a summary, ensuring everyone is clear on the details.
The Term of the Contract
- Heading: Term (in bold)
Here we note that this section should be negotiated between the manager and the artist.
Important Notes:
- There are many different options and no particular standard term.
- Flexibility in discussions is encouraged, be open and honest about concerns.
- Initial Setup: Establishing clear terms from the start supports the ongoing working relationship.
Handling Money
A significant point raised by a great lawyer, Anne Harrison, is about who will handle the money:
- Manager vs. Artist: In previous contracts, your management handled finances. However, as you grow, it's often better for the artist to take control over their income.
Example from Experience:
- In your early career, having a manager handle finances might have been beneficial due to your youth and inexperience.
- Later, being in control of your finances allows better oversight of your business dealings.
Accounting Responsibilities
Section 6.3 - Accounting
- Key Point: You shall have the right to collect all sums arising from your activities and appoint an accountant with relevant experience in the entertainment industry when appropriate.
Breakdown of Clause 6.1:
- Delivery of Account: You must provide a detailed account with relevant information.
- Access to Accounts: Online access to your accounts should be granted to the manager within 30 days after the end of every calendar quarter.
- Payment of Commission: You're obligated to pay the commission at the same time as delivering such a statement.
Key Responsibilities:
- This underscores that the artist is primarily responsible for their incoming funds but can delegate this task if they choose.
Importance of Clarity
- Having a structured team can make financial management feel less daunting and more efficient.
- The goal is to avoid catch-up situations by staying informed and proactive about money management.
Final Points on Advances:
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On Personal Advances: Any personal advances received over £5,000 must be reported and the commission paid within 30 days of receipt.
This element ties into clauses about earnings and clarifies any exceptions related to payment structures.
By establishing a solid routine and ensuring that you have good processes and guidance, being in control can become a manageable and organized part of your career.
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Meet your guru

Meet your guru
Imogen Heap is a Grammy-winning English singer, songwriter, producer and technologist whose influence runs through two decades of pop, electronic and film music — and through much of the technology modern artists now take for granted.
Born in London in 1977 and classically trained on piano, cello and clarinet, she released her debut album 'iMegaphone' in 1998 before forming the duo Frou Frou with producer Guy Sigsworth, whose song 'Let Go' reached a global audience through the film Garden State. Her self-written, self-produced album 'Speak for Yourself' (2005) delivered 'Hide and Seek', the a cappella landmark that later powered Jason Derulo's chart-topping 'Whatcha Say' and Ariana Grande's 'Goodnight n Go', and continues to find new generations of listeners.
'Ellipse' (2009) won the Grammy Award for Best Engineered Album, Non-Classical — recorded and engineered in her own home studio — and she went on to co-write and produce 'Clean' on Taylor Swift's Album of the Year-winning '1989'. She also composed the score for the stage play 'Harry Potter and the Cursed Child'.
A relentless innovator, Heap developed the MI.MU gestural gloves — recognised with three honorary doctorates — and founded Mycelia and The Creative Passport, initiatives building a fairer data ecosystem for artists. In 2024 she returned with 'What Have You Done to Me?', created with her AI vocal alter ego Mogen, while a viral resurgence of 'Headlock' brought her music to millions of new fans.
























































