Lesson 36 of 44Music BusinessIntermediate

Publishing Deal

2:46

Pete explains what a publishing deal really involves: handing your copyrights to a publisher for a period so they can administer and actively exploit your songs.

Part of the courseMusic Business 101 for Artists44 lessons (2h 11m)

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44 lessons (2h 11m) · 1 free
    • 01. Negotiating Principles

      2:33

    • 02. The nature of any contract or agreement

      2:13

    • 03. Band Agreement

      3:22

    • 04. Management Agreement

      4:54

    • 05. Record Deal

      3:05

    • 06. Publishing Deal

      You are here

      2:46

Lesson transcript

Understanding Music Publishing Deals

Introduction
Basically, everything that you write as a writer for a period of time, you are essentially transferring ownership of that to the publisher for a period of time. They can do various things for you.

The Role of the Publisher

Basic Responsibilities

  • The publisher will administer your copyrights on the song. This includes:
    • Registering them with various collection societies.
    • Ensuring that all administrative tasks are handled properly.

Exploitation of Rights

  • The next step for a publisher is to actively try to exploit the copyrights.
    • This is a legal term that means finding ways to generate revenue from those copyrights and the songs themselves.
    • They may look for opportunities for your songs to be used in:
      • Film
      • TV
    • They may also seek out other artists to cover your songs, regardless of whether you are a performer yourself.

Collaboration Opportunities

  • Publishers often play a key role in putting you in touch with other writers.
    • There are many successful collaborations, as noted in an article where almost all hits in 2015 were written with co-writers.
    • As an artist, you might think, "To really enhance what I do, I would like to work with somebody else."
    • A publisher can facilitate those relationships to help develop your artistry.

What to Look for in a Publishing Contract

Key Components
In a contract, you should find details about:

  • The Parties: Who is involved in the agreement.
  • The Duration: The period of time the contract will cover.
  • The Territory: Typically, this is worldwide for publishing.
  • The Rights Granted: Clarify what rights you are transferring to the publisher:
    • Are you assigning your rights for everything you write or just specific works (e.g., a particular album)?

Copyright Reversion

  • It's essential to understand when you will regain your copyright ownership.
    • Usually, after the contract ends, there will be a period (typically between 10 to 20 years) where the publisher retains ownership of those copyrights. After this period, they revert back to you.

Reversion Clauses

  • Consider negotiating a reversion clause. This clause may state that even though the publisher has rights for a set term:
    • If they haven't utilized your copyrights for a certain period, you can reclaim rights sooner (e.g., after two to three years).

Conclusion
Understanding these elements of a publishing deal is crucial for any artist or songwriter. Being informed allows you to make better decisions and ensure that your creative work is being utilized effectively.

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Meet your guru

Imogen Heap

Imogen Heap

Imogen Heap is a Grammy-winning English singer, songwriter, producer and technologist whose influence runs through two decades of pop, electronic and film music — and through much of the technology modern artists now take for granted.

Born in London in 1977 and classically trained on piano, cello and clarinet, she released her debut album 'iMegaphone' in 1998 before forming the duo Frou Frou with producer Guy Sigsworth, whose song 'Let Go' reached a global audience through the film Garden State. Her self-written, self-produced album 'Speak for Yourself' (2005) delivered 'Hide and Seek', the a cappella landmark that later powered Jason Derulo's chart-topping 'Whatcha Say' and Ariana Grande's 'Goodnight n Go', and continues to find new generations of listeners.

'Ellipse' (2009) won the Grammy Award for Best Engineered Album, Non-Classical — recorded and engineered in her own home studio — and she went on to co-write and produce 'Clean' on Taylor Swift's Album of the Year-winning '1989'. She also composed the score for the stage play 'Harry Potter and the Cursed Child'.

A relentless innovator, Heap developed the MI.MU gestural gloves — recognised with three honorary doctorates — and founded Mycelia and The Creative Passport, initiatives building a fairer data ecosystem for artists. In 2024 she returned with 'What Have You Done to Me?', created with her AI vocal alter ego Mogen, while a viral resurgence of 'Headlock' brought her music to millions of new fans.

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