Live Performance in Ableton Live
CourseMusic ProductionContemporaryIntermediate
Part ofMusic Production

Live Performance in Ableton Live

$13/month

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Duration2h 20m
Modules30
LevelIntermediate
LanguageEnglish

Lesson Plan (2h 20m)

About this course

Hi, Brian Funk here.

I've been performing live with Ableton Live for years now, and I remember the effort it took to figure out how to use the software for live performance. So I've put together the Ableton Live course I wish existed when I first got serious.

If you've ever wanted to get on a stage and perform using Ableton, this is the course for you. These ideas and techniques work for a solo artist like myself, for DJs, for instrumentalists in bands, and for sound engineers. I've used Ableton to perform my songs entirely on my own, to play synths and instruments in bands, to apply effects to other instrumentalists and vocalists, to DJ, and even to provide sound effects and music in theatrical performances.

Everything in the course is meant to be practical and useful. I cover everything from effectively routing your tracks, setting up your sessions in a sensible way, incorporating live and virtual instruments, setting up controllers, recording your performances, live looping, and even how I've been integrating Ableton's Push into live performance. I approach every technique in ways that actually work live and are mindful of CPU usage. There are even tips on how to keep things interesting for your audience.

Bonus Ableton devices included!
I've also packed this course with handy Audio and MIDI Effect Racks. The 10 Effect Racks will help you add character, clean up mixes, do rudimentary mastering, create drum fills and glitch sounds, and emulate things like the MPC's famous note repeat. They come in a separate Ableton set and can easily be saved to your library for use in any project. (These devices require Ableton Live 9.)

Gear used on this course: MOTU Ultralite 2 audio interface, OP-1 Synth, iPad with synths (MiniBrute, Soundprism Pro app), MIDI controllers (Akai APC-40, Novation Launchpad, Akai MPK mini, Softstep foot controller), Ableton Push.

Pre-requisite: basic knowledge of Ableton Live - for example, I won't be explaining the difference between Session and Arrangement View, or the various Warp modes.

Who it's for

  • Producers ready to take Ableton sets onto a stage
  • DJs and band members wanting tighter live integration
  • Self-taught Ableton users with gigs on the horizon

What you'll learn

  • Build a live set that won't crash mid-show
  • Route mics, instruments and effects into Ableton cleanly
  • Loop, layer and trigger parts in real time

What you'll need

  • Ableton Live 9 or later and basic familiarity
  • A MIDI controller, plus any instruments or mics you play
  • A few minutes most days to practise your set

Meet the Guru

Brian Funk

Brian Funk

Brian Funk is a musician, producer, songwriter and Ableton Certified Trainer. Since 2014 he has taught the Advanced Music Production with Ableton Live course for Berklee College of Music. He has played guitar, bass, drums, synths and sung in touring rock bands, and these days focuses on his solo electronic set - taking his studio experiments to the stage.

Brian loves writing, teaching and sound design. He produces Ableton Live tutorials and Sound Packs, and has released free Ableton Live Packs since 2011 - over 125 so far. As an Ableton Certified Trainer he has given lessons and seminars covering every stage of the production process, and writes regularly on his blog and for other publications.

Influenced by rock and roll, video games, early hip hop, punk and electronica - from The Beatles, Neil Young, Nirvana and Aerosmith to Neon Indian - he describes his own sound as 'futuristic, yet nostalgic'. In his MusicGurus course, Live Performance in Ableton Live, he shows you how he turns studio ideas into a real, hands-on live set: sampling sounds and turning them into playable instruments, running guitars and synths through electronic gear, and mixing and composing on the fly while playing live and singing. You'll come away able to build and perform your own electronic set with confidence.

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