Lesson 21 of 30Music ProductionIntermediate

Arpeggiator

3:26
Learn how to set up a track that receives MIDI and sends that MIDI through some arpeggiators, allowing you to create great-sounding repeating drums and audio.
Part of the courseLive Performance in Ableton Live30 lessons (2h 20m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Brian FunkYour guruBrian Funk

What's in the course

30 lessons (2h 20m) · 1 free
    • 01. External Instrument

      2:49

    • 02. Dummy Routes

    • 03. Midi Metronome

      2:21

    • 04. Arpeggiator

      You are here

      3:26

    • 05. Midi Sending

      3:36

Lesson transcript

Using Arpeggiators in MIDI Tracks

One of the things I like to do on my MIDI tracks is to set up a track that, for example, receives MIDI from my MPK mini and sends that MIDI through some arpeggiators, which are all right here.

Mapping Arpeggiators

I've mapped the different arpeggiators buttons on my launch pad just like this, which allows me to then take different chords and, you know, have arpeggiation on it.

  • Drum Pads:
    I've got this set up on the drum pads as well. So if I turn that on, the way this works is:

    • The drums here are not set to receive MIDI from my MPK mini.
    • They are set to receive MIDI from my track MPK pads because that's the track that has the arpeggiator on it.

This saves me the hassle of sending those pads to whatever track I want without having to have all these different plugins on here. Otherwise, you'd be putting arpeggiators on every single instrument you want to use.

Launchpad Setup

I've got a similar idea going on with my launchpad here. This one has another arpeggiator. The only difference is I just have this one mapped to these sets of buttons. So when I have my percussion sounds, I can just kind of hold down a couple buttons and get a cool rhythm out of it.

Starting a Song with Arpeggiators

Now, one kind of cool thing about doing an arpeggiation is it can be a nice way to start a song because you want to start on beat. If I may refer back to this track here, the way I start this song live is:

  • I begin with an arpeggiator just like this.
  • I add effects to it, just wanting to get my tempo matched up right, so I'm playing around.
  • Then, I drop in my drums.

I've just started the song by playing this little arpeggiation, and I'm still playing it, adding effects. Now I'm ready to go into my song.

Advantages of Using an Arpeggiator

It's kind of a cool way to open up a track maybe by just having your arpeggiator going. Your arpeggiator is going to keep you in time, so you don't have to worry about being in time or not.

  • Starting a Track at Different Tempo:
    It'll all work out right.

So, it's a handy little trick that I like to use when starting tracks: to use an arpeggiator to get things going.

$13/monthSubscription

30 lessons

2h 20m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Brian Funk

Brian Funk

Brian Funk is a musician, producer, songwriter and Ableton Certified Trainer. Since 2014 he has taught the Advanced Music Production with Ableton Live course for Berklee College of Music. He has played guitar, bass, drums, synths and sung in touring rock bands, and these days focuses on his solo electronic set - taking his studio experiments to the stage.

Brian loves writing, teaching and sound design. He produces Ableton Live tutorials and Sound Packs, and has released free Ableton Live Packs since 2011 - over 125 so far. As an Ableton Certified Trainer he has given lessons and seminars covering every stage of the production process, and writes regularly on his blog and for other publications.

Influenced by rock and roll, video games, early hip hop, punk and electronica - from The Beatles, Neil Young, Nirvana and Aerosmith to Neon Indian - he describes his own sound as 'futuristic, yet nostalgic'. In his MusicGurus course, Live Performance in Ableton Live, he shows you how he turns studio ideas into a real, hands-on live set: sampling sounds and turning them into playable instruments, running guitars and synths through electronic gear, and mixing and composing on the fly while playing live and singing. You'll come away able to build and perform your own electronic set with confidence.

Brian Funk
Pat Levett
Katie Melua
Ed O'Brien
Imogen Heap
Joe Glossop
Frank Doll
Chet Atkins
Chris Haigh

Learn from Brian Funk and hundreds of others

Get MusicGurus

Unlimited access, money back guaranteed

$13/month

Subscription