Walk on the Wild Side' jam con la M series - Jimmy Smith
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Joe GlossopJoe Glossop improvisa sobre 'Walk on the Wild Side' de Jimmy Smith en la M series, mostrando cómo la reverb, el chorus vibrato, la percusión y el Leslie se combinan para dar forma al tono.
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45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
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02. Sonidos: 'Green Onions' Booker T
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03. Tocar el tema: 'Green Onions' de Booker T
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04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
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06. Interpretación: Jimmy McGriff - All About My Girl
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07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
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08. Sonidos: 'All About My Girl' - Jimmy McGriff
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09. Intro: 'All About My Girl' - Jimmy McGriff
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10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
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11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
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04. Vista del teclado: 'La La means I love you' - Booker T
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05. Groovin' Booker T & the MGs
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06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
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07. Time is Tight' - Booker T & the MGs
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08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
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10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
Estás aquí6:44
Transcripción de la lección
Walk on the Wild Side - Jimmy Smith Tune
Okay, so I'm going to do a little jam here on "Walk on the Wild Side," a Jimmy Smith tune. Just to show you a couple of different tones you can get on the M series here.
Overview of the Jam
- During that little jam there, I used a few different sounds:
- Started on second harmonic: The important thing with that track is that we had reverb on. Loads of reverb that's coming out of the internal speaker there on the right-hand side.
Playing with Reverb
-
You can play with the reverb to really bring out what you're doing. You get a trail on every note, allowing you to stretch out.
-
Second Harmonic: With that kind of Booker T setting, I had vibrato on.
- It's chorus vibrato, different from the C3. It can get a bit crazy.
- If you have a lot on, it's really noticeable, like a small celeste, kind of crazy vibrato on this instrument.
Sound Combinations
- There are a lot of nut sounds you can get.
- The combination of:
- Percussion
- Vibrato
- Reverb
Switching Tones
-
I used that with fast Leslie as well, which obviously gives a different sound.
-
Then I switched to a thinner sound and brought a bit of that in.
-
Drawbars: There's a pad on the bottom there, 8 and 4 drawbars.
- On an M100, this would be the bottom two drawbars.
- I'm using the reverb as a bit of a tool when changing between chords.
Cool Effects
- You really get that kind of trail on the end of it.
- It's just a cool effect, adding a bit of punctuation in the tune when you're playing alone like this.
Final Idea
- Then, what I did was play the melody as a big kind of phrase chord in a thin setting.
- You can use a piano country-style roll in those pullback phrases.
- The use of the Leslie and drawbars together creates a very cool effect.
There's a lot of stuff to try out here, many different tones. I hope that was helpful!
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
