Slides (deslizamientos)
Con
Joe Glossop
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Music Lesson: Two-Handed Techniques and Hammond Moments
When you're just kind of sliding up and catching some in, you may do it with two hands. If you're not holding down a bass line, something like a full sound, there are a lot of those two-handed, percussive techniques that are used.
Key Points:
-
Appearance vs. Reality:
- It looks like more than it is; it's really just a lot of that kind of technique used again in context.
-
One-Handed Techniques:
- You can do a kind of one-handed version of those techniques even if you are holding down a bass line.
- All you need to do is hit the first couple of contacts, and at speed, it sounds like you're actually playing chords all the way up sometimes, particularly with a bigger sound.
Glissando
- There's a great version of "Why I Showed a Pale" that Billy Preston plays on with King Curtis.
- There's a solo section that goes something along the lines of:
- "It's very thin but quite densely voiced."
- It changes the setting quite a lot as he goes on, which is very cool.
- There's a solo section that goes something along the lines of:
Gospel Influences
Using techniques at number eight is a way to create a big, impactful sound.
- It's particularly good in gospel music because of the big sweeps involved.
- There are many things that aren't gimmicks but can be thrown in as purely Hammond moments and interspersed into your playing.
Summary
Incorporating these techniques into your playing enhances your sound and adds depth to your performances.
45 lecciones
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
