La La means I love you' - Booker T
Con
Joe GlossopJoe Glossop recrea el sonido Hammond de Booker T. Jones en 'La La', ajustando los drawbars y la percusión que hay detrás del tono principal.
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
Estás aquí5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Music Lesson: Booker T. Jones Tunes
Okay, guys, we're going to do a few Booker tunes. Sure, you've all heard of him, very famous for "Green Onions," obviously, but he did lots of other stuff, usually on a BLC3.
First Tune: "La La"
This first one's called "La La." It means "I love you." Strange title, but nice.
Tonal Characteristics
- The tones in this song are very interesting.
- He kind of uses a lot of different things all in the same space.
- Very good at switching between sounds.
Main Lead Sound
The main lead sound there is created with:
- A set of drawbars
- Second harmonic percussion
He plays it quite low down. There is a lot of top on this organ. On some organs, you might need to take some bass out, but on this one, you don't really play it down there. It can sound quite clunky and low.
Pad Settings
For the pad, we're using these two settings:
- If you've got numbers 8 and 4ft, it doesn't really matter about the drawbar settings.
Main Tone Creation
We'd play like this:
- C
- A
- B
- 11
That's how the main tone is created.
Dynamics and Swell
It's very interesting how he uses the swell in between chords. You can use it to really play with dynamics, making it engaging by coming in and out.
B Section
In the B section, it switches to a more toppy, full sound, depending on how you want to play it. You can kind of use glissando and that kind of technique. Personally, I find that I prefer that to other methods, it just doesn't work for me otherwise.
Switching Sounds
Those are the main tones used in the track.
- In terms of switching between sounds on this tune:
- From the lead line
- From the percussion
- To the mid-8 section
The switching requires careful attention:
- You've got to change the Leslie and the preset from one setting to another.
Key Switching Techniques
- From that set to that set in the gap, sort of thing.
- Leslie: different set of drawbars
- Coming out of that section requires the same approach: Leslie on slow again and then back to your original setting.
Summary
And so on! Enjoy the exploration of these tones and techniques in your playing!
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
