Sonidos: 'Green Onions' Booker T
Con
Joe GlossopJoe Glossop muestra cómo lograr el sonido fijo de 'Green Onions' en la M series, sin Leslie, solo los primeros cuatro drawbars con un tercer armónico suave para las líneas melódicas.
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45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
Estás aquí3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Understanding "Green Onions": A Hammond Classic
Introduction to "Green Onions"
"Green Onions" is one of the massive Hammond classics. It's what a lot of people might think of when they think of a Hammond organ. Another popular association is with a Leslie speaker; however, "Green Onions" didn't use a Leslie speaker at all. The sound is actually produced through the internal speaker of the M series organ, resulting in a completely static tone with a different vibe altogether.
Tones and Settings
So, first, we're going to discuss the tones and how to achieve them on this organ:
- Drawbars: It's primarily about the first four drawbars. This setting is quite standard for Booker T.
- Bass Settings: This is a bass-heavy organ, so the first four drawbars are all the way out. However, I've adjusted the bass drawbar slightly back in for more definition, avoiding an overly boomy sound.
Main Theme Setup
For the main theme:
- Percussion: There's no percussion setting. This is how the main theme is created, characterized by a pure and straightforward tone.
- Vibrato: No vibrato is added, maintaining the simplicity of the sound.
Lead Lines Configuration
For the lead lines:
-
Third Harmonic: We want to add the third harmonic with a soft percussion setting.
-
Performance Note: During the video, I was holding down the bass line. In a live setting, Booker would have simply added this harmonic himself because he wouldn't have been playing a bass line, leaving his left hand free.
-
Lead Tone: For the lead tone on the bass, I was using the 8 drawbar.
Spinet Organ Limitations
On any Spinet organ (like M's, L's, or T's):
- The bottom two drawbars are absent, limiting your ability to produce proper bass.
- However, this is somewhat irrelevant; typically, for gigs requiring deeper bass, you'd probably be using a C3 or B3 anyway.
While there are amazing sounds available on these Spinet organs, they are slightly more limited in terms of tonal depth.
Conclusion
These are the two tones that we use for the track "Green Onions."
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
