Sonidos: 'All About My Girl' - Jimmy McGriff
Con
Joe GlossopJoe Glossop explica cómo conseguir los sonidos de Hammond de Jimmy McGriff en 'All About My Girl': ajustes de drawbars y Leslie, y el fraseo bluesero que hay detrás de su sonido.
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
Estás aquí4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Understanding the Tones and Phrasing
Let's talk about how tones are created and the approach to phrasing in this real attitude song, which essentially embodies the blues.
Structure and Settings
- It's a 12-bar blues.
- The third harmonic is set up here.
- You're working with a classic jazz setting.
Leslie Effect
- For most of the song: The Leslie effect was set to stop.
- Footswitch setting: It starts on stop.
Phrasing
The phrasing in this piece is indicative of McGriff's playing.
Key Characteristics
- There's a lot of movement from the sixth to the minor third.
- This creates a major-minor blues dynamic, blurring the lines between the two.
Notable Techniques
- McGriff employs various techniques:
- Single notes that highlight this tension.
- A section in the solo featuring a big voice, like a horn line, which is unusual.
Unique Style
Typically, this kind of sound might be characterized as gospel. Instead, McGriff uses a jazz setting, which is not often heard.
Challenges
- This tune presents a challenge because:
- Each beat in the solo section is a full chord.
- It's easy to catch unwanted notes.
Example
When slowed down, it might sound something like this:
- I caught a couple of notes there that I didn't want, but it isn't a significant issue at speed, as long as you maintain the right impetus and feel.
Conclusion
The use of the sixth to minor third is definitely something to consider. McGriff employs many fast-paced repetitions of the same note, which are stylistic hallmarks found throughout his work. This particular tune encapsulates McGriff's style, showcasing why he's my favorite in the blues-jazz sphere.
45 lecciones
3h 0m de lecciones en vídeo estructuradas
Funciones de vídeo avanzadas
Ralentiza, repite un pasaje, sigue la partitura
Móvil, tablet y ordenador
Practica donde quieras
Garantía de satisfacción 100%
30 días de garantía de devolución
Conoce a tu gurú
Conoce a tu gurú
Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
