Líneas melódicas: 'Green Onions' Booker T
Con
Joe GlossopJoe Glossop desglosa las líneas melódicas de “Green Onions” al órgano Hammond, trabajando la escala de blues de Fa, el fraseo con slip-off y cómo atrapar el backbeat un poco tarde.
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
Estás aquí4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Understanding Lead Lines in F Blues Scale
So let's talk about the lead lines. It's basically almost all F blues scale. The only note that might be in there that isn't part of that is your G.
Key Elements
- A couple of slips that he does don't include maybe things from the scale, but we'll get to that in a second.
- The third harmonic is on there, which gives you a little extra sort of attack on the top of the note.
Phrasing and Technique
There are a lot of slips in this, and the phrasing is very intentional:
- It's all about slipping off notes and the way he's pulling it back.
- If you're playing it straight, you could go one way, and sometimes he does that, but sometimes he might go another.
- It's very much about trying to catch that backbeat as late as possible.
Demonstration
From the top, I'll do it without the bass now. As you can see, there's a lot of kind of putting notes in between your blues scale that aren't really included. But it's just an in-between kind of flourish.
- The D is in there, so that's your six included.
- And obviously, you're going up to your G; you got your six and your nine in there.
Repetition and Slips
There's a lot of repetition:
- E flat to F there, all slipped off each other.
- Slipped from the E flat to the F, and then slipped from the E to the F.
There's nothing that's out of bounds, really, but the main focus is that blues scale stuff. You can use any note to sort of get there.
After the Guitar Solo
So, in the second round after the guitar solo, a lot of the same kinds of things come into play.
- Phrasing is key. It's all about the dragging back.
- It's kind of a shade off playing it straight.
So there you have it, your lead lines.
45 lecciones
3h 0m de lecciones en vídeo estructuradas
Funciones de vídeo avanzadas
Ralentiza, repite un pasaje, sigue la partitura
Móvil, tablet y ordenador
Practica donde quieras
Garantía de satisfacción 100%
30 días de garantía de devolución
Conoce a tu gurú
Conoce a tu gurú
Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
