'The Girl from Ipanema' - Antonio Carlos Jobim
Con
Joe GlossopJoe Glossop trabaja 'The Girl from Ipanema' al órgano Hammond, usando dos timbres contrastantes para la estrofa y el estribillo.
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
Estás aquí6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Music Lesson: The Girl From Ipanema
This is a little version of The Girl From Ipanema, so you've probably heard it. It's a kind of interpretation inspired by Richard Groove Holmes from a live album. I really like how it uses two very different tones for the two sections of the song.
Tones in the Tune
Let's go into detail about the tones in this tune.
Lower Tone
- On the bottom, we've got the same kind of pad tone that we've used a couple of other times.
- He probably would have been playing with a band, providing more of a bass line.
- In that context, he would have been playing pedals, not so much a pad.
- For this context, it works quite well.
Top Tone
On the top, we have:
- The third harmonic percussion setting.
- This jazz tone is very responsive and chunky.
When he moves into the chorus, it transitions to a very different tone.
- Leslie Vibrato: Flips the Leslie to fast and plays in a broad, glissando way.
- The voicing of chords is very big.
- He uses the Leslie quite a lot; you could try pulling a bit of that out for a different feel.
Gospel Feel
This shift gives a very different, gospel-like feel to the section.
- If you were doing a bass line, you could try doing that with one hand.
- It won't feel quite the same, but you can just about manage it.
Achieving the Right Sound
One way of achieving that sound is by pulling the phrasing back a bit.
- This gives you more room to slide into that new shape without catching too many other notes.
- Be aware of the very light action; it's easy to catch another note accidentally.
- Often, that doesn't matter too much as long as it feels right.
Tips for Sliding Up
- You'll only catch maybe the first couple of contacts, so it's not going to be a disaster.
- Pulling the phrasing back as you slide up can help.
- Spread it out as you go along, rather than forcing it.
Additionally, I pulled a little bit of that drawbar, which adds some mid-range richness to it.
Conclusion
And there you have the main tones of the tune. Good luck!
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Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
