Técnicas características del hammond
Con
Joe GlossopEn esta sección, Joe habla del tipo de lenguaje musical y de las técnicas que son propias del hammond; estas harán que suenes como un organista cuando toques, en lugar de un pianista tocando un órgano
Puedes escuchar las versiones clásicas de los temas de este curso en la lista de reproducción de Spotify de Joe échale un vistazo aquí.
Qué incluye el curso
45 lecciones (3h 0m) · 1 gratis
01. Interpretación: 'Green Onions' de Booker T
3:01
02. Sonidos: 'Green Onions' Booker T
3:08
03. Tocar el tema: 'Green Onions' de Booker T
8:21
04. Líneas melódicas: 'Green Onions' Booker T
4:43
05. Línea de bajo: 'Green Onions' Booker T
2:01
06. Interpretación: Jimmy McGriff - All About My Girl
3:43
07. Interpretación vista teclado: Jimmy McGriff - All About My Girl
3:43
08. Sonidos: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Tocar el tema: 'All About My Girl' - Jimmy McGriff
2:58
11. Línea de bajo: 'All About My Girl' - Jimmy McGriff
1:52
12. Final: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisación y comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vista del teclado: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vista del teclado: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vista del teclado: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vista del teclado: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vista del teclado: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basado en 'Blue Bash' - Jimmy Smith
7:59
12. Vista del teclado: blues basado en 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam con la M series - Jimmy Smith
6:44
Transcripción de la lección
Distinctive Hammond Language
Okay, so we're going to talk about a bit of distinctive Hammond language for you. This includes techniques that you will only really achieve on an organ and may not even sound good on another instrument.
Fast Repeated Notes
One thing is a kind of fast repeated note that's made possible by the action of the organ and by the fact that you don't get all the harmonics at the same time.
- It really encourages you to play it in the Hammond key.
- It's very responsive, and you really can't play that quite fast.
I typically do it with my thumb and forefinger, but you can do it however you want. Some people just use one finger, which feels a bit messy for me. So, I like to rock between them.
You can actually put a few things in between if you prefer that style, it's quite a Jimmy Smith thing to do.
Changing Drawbar Settings
We also have the possibility of holding a note and just changing the drawbar settings. It sounds quite obvious, but it's really effective.
- When you have a simple, nice little riff and are adjusting the drawbars, you're going to lose volume.
- You can compensate for this by using the swell pedal.
As you go for the desired drawbar setting to achieve the tone you want, remember:
- As those drawbars go in, push the swell pedal in so you don't lose too much actual level.
Percussive Techniques
One more thing is the percussive, scratchy, chokey sound you sometimes hear on records. A lot of the time, it's on the bottom manual, but you can also achieve it on the top with more of a gospel-like feel.
- This technique combines a bit of thumb action, but mostly uses the palms.
For example, in the key of C, you might play a bluesy lick followed by a walk down to F, B flat, F.
This is actually reminiscent of a track called "Love the One You're With," specifically the Aretha Franklin Live At Fillmore West version where Billy Preston plays. He's possibly my favorite player of all, an incredible musician!
Matching Parts to Tone
Also, you could work on the second harmonic; however, you don't want to use your percussion once you've engaged the harmonic, as it tends to become messy and sounds too clunky.
- Always match the part to the tone.
For your percussion, try something more subtle and fitting.
45 lecciones
3h 0m de lecciones en vídeo estructuradas
Funciones de vídeo avanzadas
Ralentiza, repite un pasaje, sigue la partitura
Móvil, tablet y ordenador
Practica donde quieras
Garantía de satisfacción 100%
30 días de garantía de devolución
Conoce a tu gurú
Conoce a tu gurú
Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T.
