La 'puntuación' vocal de Billy Preston
Lesson time: (1min 51sec)
Joe Glossop muestra cómo Billy Preston usa la 'puntuación' tonal para complementar a un cantante, señalando 'Live at the Fillmore West' de Aretha Franklin como el álbum que estudiar.
Course preview
This lesson is part of the course Toca el órgano Hammond con autenticidad
Watch a preview of the full course below.
Lesson transcript:
Exploring the Influence of Billy Preston
I'm a big, big fan of Billy Preston, for instance, and he comes from a very gospel school. There's a lot of manipulation of tones, used to punctuate what you're doing.
Key Insights
- If you've ever listened to Aretha: Live at the Fillmore West, he's all over that.
- That album is an absolute must if you want to get into playing organ and complementing a band and a singer.
- The way he moves between phrases in all those tunes is amazing; the way he uses the tones is truly remarkable.
Notable Performance: "Bridge Over Troubled Water"
Their version of "Bridge Over Troubled Water" always stands out to me.
- The stuff he does in the intro may seem difficult out of context, but if you listen to it closely, it will make sense.
- A lot of simple elements happen in between the vocal lines, and then suddenly, he'll use a different tone and walk down something like "wa."
Billy Preston's work is a brilliant example of how nuanced tonal control can elevate a performance.
About the instructor

Joe Glossop es un teclista de Sheffield que se ha hecho un nombre con el órgano Hammond. Actualmente ocupa el puesto de órgano en la banda de gira de Tom Jones, y ha tocado con Van Morrison y James Hunter, además de al piano y al Rhodes. Sus cursos consiguen sacar el auténtico sonido Hammond de cualquier teclado: el registro de drawbars, el Leslie, el bajo caminante de la mano izquierda y el vocabulario de acompañamiento y solos de las tradiciones del órgano soul-jazz, blues y rock, de Jimmy Smith a Booker T. read more




