Conseils et conclusion
Lesson time: (6min 30sec)
Course preview
This lesson is part of the course La performance live dans Ableton Live
Watch a preview of the full course below.
Lesson transcript:
Music Lesson Wrap-Up
Okay, so that about wraps it up. I hope some of this stuff has helped you out and given you some ideas on how you can use Live to play live.
Expressive Instrument
It's really an expressive instrument. As a piece of software, I think of it as turning the studio into an instrument. It allows you, maybe as a solo performer, to go out and get these full-fledged ideas out in front of an audience. And that's a lot of fun. It's great for playing with other people and bands. There's a lot of cool stuff you can do.
Tips for Playing with Others
Something I'd like to point out: if you are playing with other people, say you have a drummer that needs to hear your tracks.
- Using Cue Outputs: If you have separate outputs on your audio interface, you can send just the metronome to your drummer, for instance.
- Select maybe 3, 3, 4 or whatever output you want.
- Now, when I turn on my metronome and hit play, you're not going to hear the metronome, but it is coming out of 3 and 4.
- If I put it back to 1 and 2, we'll start hearing it.
Now, you don't want that playing for the crowd, but your drummer might need it, and it can be really handy.
Live Performance Advice
Experiment and Interact
Some tips, some advice to think about when you're playing live:
- It's very easy to get caught up in thinking everything has to go a certain way.
- Don't be afraid to experiment. Try things out!
- Watch your audience. If they're not feeling the song, maybe don't play the third chorus again or consider shortening it.
- Transition to something else. Try a different mood or feel.
- Interact with your audience. Talk to them. It's part of the live performance; it's this exchange of energy.
Planning Your Live Performance Rig
Things to consider for planning your live performance rig:
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Plan It Out:
- Draw pictures.
- Label your controllers.
- Use stickers or pieces of paper next to you to see what everything does.
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Don't Over Plan:
- It's easy to get stuck trying to make the perfect setup and never play live.
- My advice: get in there and start building your set.
- A lot of your plans won't work as expected, and you might find better ways once you start setting it up.
Work in Progress
- Think of your live setup as a work in progress.
- I've been building this live set for many years; it continually evolves.
Save Your Work
Before you do anything major, always save a copy:
- Use "Save As" in Live, rename it, and start experimenting with that.
- This way, you're not afraid to ruin your live set because you always have the old copy.
Avoid Major Changes Before a Gig
- If you have a gig coming up in a few days, don't make any major changes.
- Get used to your setup, and be really comfortable with it before you go out.
Remember the Main Goal
Lastly, don't lose the plot. Remember what you're really trying to do here:
- You're trying to go out and play music, not create the perfect setup.
- So go make music!
Your setup's never going to be perfect. It's really just your dedication and your ability to sit down and start working at it.
I sincerely hope this has helped you guys. I really do appreciate you watching this, and I'd love to see what you guys start doing with some of this information. Thank you very much!
About the instructor

Brian Funk est musicien, producteur, auteur-compositeur et Ableton Certified Trainer. Depuis 2014, il enseigne le cours Advanced Music Production with Ableton Live pour le Berklee College of Music. Il a joué de la guitare, de la basse, de la batterie et des synthétiseurs, et chanté dans des groupes de rock en tournée, et il se concentre aujourd'hui sur son set électronique solo, en portant sur scène ses expérimentations de studio.Brian adore écrire, enseigner et concevoir des sons. Il produit des tutoriels et des Sound Packs pour Ableton Live, et publie des Packs Ableton Live gratuits depuis 2011 : plus de 125 à ce jour. En tant qu'Ableton Certified Trainer, il a donné des cours et des séminaires couvrant chaque étape du processus de production, et écrit régulièrement sur son blog et pour d'autres publications.Influencé par le rock and roll, les jeux vidéo, le hip hop des débuts, le punk et l'électronica, des Beatles à Neon Indian en passant par Neil Young, Nirvana et Aerosmith, il décrit son propre son comme 'futuriste, et pourtant nostalgique'. Dans son cours MusicGurus, Live Performance in Ableton Live, il te montre comment il transforme des idées de studio en un vrai set live et pratique : sampler des sons pour en faire des instruments jouables, faire passer guitares et synthés dans du matériel électronique, et mixer et composer à la volée tout en jouant en live et en chantant. Tu en ressortiras capable de construire et d'interpréter ton propre set électronique en toute confiance. read more




