Planification du matériel
Lesson time: (2min 57sec)
AfroDJMac parcourt son setup live — OP-1, synthés, guitare, mélodica et interface audio — et comment le matériel qu'il choisit façonne sa manière de construire un set live.
Course preview
This lesson is part of the course La performance live dans Ableton Live
Watch a preview of the full course below.
Lesson transcript:
Planning Your Live Performance Gear
Okay, so let me walk you through this process of planning a little bit. I want to talk about the gear I'm using and how it helps govern some of the decisions I make as far as live performance goes. Here are some of the real instruments I might use:
- OP1: I couldn't recommend this more.
- iPad: I run various synths and MIDI controllers on this.
- Synths:
- Mog Slim Fatty
- Minibroot (might bring this as well)
- Guitar: Sometimes, I might plug this straight in.
I also have vocals that I want to use:
- Microphone: In case you're wondering about my funny little pink mic Afro windscreen, there's a reason for that. It's not just to prevent vocal pops; it's also a safety measure.
- The microphone screens underneath are very hard, and in the excitement of a live performance, you could easily smash your teeth on it.
- So, I like to give myself a little cushion to avoid knocking out any of my teeth.
Additionally, I have a melodica I like to play. All of this gets routed into my audio interface:
- Motu Ultralight 2: What I like about this interface is that it has a lot of audio inputs and outputs, which governs what I can do live. Since there's a limited number of ins and outs, you have to work with that.
Consider Your Audio Interface
Think about your audio interface:
- How much can you route into it and out of it?
I also have some virtual instruments, primarily played through:
- MPK Mini
- Launchpad
These are the main things I'm working with. The actual MIDI gear I have includes:
- APC40: A great piece that works well.
- Soft Step Foot Controller: It's on the floor; we'll get to that a little bit later.
The MPK Mini is nice because:
- It has pads,
- It has knobs,
- It has keys,
- You can change the particular messages each of these sends out.
And of course, I have the Launchpad.
Gathering Your Gear
So, I'm using this gear to govern how I play live. It's a good idea to gather your gear together and think about what you can do with it, as you will run into both possibilities and limitations. These are important to consider!
About the instructor

Brian Funk est musicien, producteur, auteur-compositeur et Ableton Certified Trainer. Depuis 2014, il enseigne le cours Advanced Music Production with Ableton Live pour le Berklee College of Music. Il a joué de la guitare, de la basse, de la batterie et des synthétiseurs, et chanté dans des groupes de rock en tournée, et il se concentre aujourd'hui sur son set électronique solo, en portant sur scène ses expérimentations de studio.Brian adore écrire, enseigner et concevoir des sons. Il produit des tutoriels et des Sound Packs pour Ableton Live, et publie des Packs Ableton Live gratuits depuis 2011 : plus de 125 à ce jour. En tant qu'Ableton Certified Trainer, il a donné des cours et des séminaires couvrant chaque étape du processus de production, et écrit régulièrement sur son blog et pour d'autres publications.Influencé par le rock and roll, les jeux vidéo, le hip hop des débuts, le punk et l'électronica, des Beatles à Neon Indian en passant par Neil Young, Nirvana et Aerosmith, il décrit son propre son comme 'futuriste, et pourtant nostalgique'. Dans son cours MusicGurus, Live Performance in Ableton Live, il te montre comment il transforme des idées de studio en un vrai set live et pratique : sampler des sons pour en faire des instruments jouables, faire passer guitares et synthés dans du matériel électronique, et mixer et composer à la volée tout en jouant en live et en chantant. Tu en ressortiras capable de construire et d'interpréter ton propre set électronique en toute confiance. read more




