Prendre soin de ton saxo

John O'Neill
John O'Neill

Lesson time: (5min 54sec)

John te montre comment nettoyer ton saxophone avec un mouchoir et un écouvillon. Il t'apprend à bien ranger l'instrument et te donne des astuces malignes pour que ton saxo fonctionne bien et résiste à l'épreuve du temps.

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This lesson is part of the course The Saxophone Method Vol. 1 : les techniques de base
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Lesson transcript:

Caring for Your Saxophone

Cleaning the Mouthpiece

What's important is to clean out the inside of the mouthpiece with a tissue.

  • While you're playing, your saliva will accumulate in the mouthpiece if you leave it there.
  • Over time, all kinds of gunge accumulates, which is not very hygienic.
  • A simple thing to do when you finish playing is to get a tissue and clean out the inside of the mouthpiece.
  • Keep a few tissues in your case so that you're always prepared for this.

Removing Moisture

  1. Remove the crook and then remove the moisture from the inside of the saxophone using a pull-through.

    • This is a pull-through; they have different designs, some with brushes.
    • The way it works: there's a weight on the end. You drop that weight into the bell, and as it comes out the other end, you pull it through.
    • This process removes the excess moisture from inside the saxophone, allowing it to be put back in its case.
  2. Don't forget to use your end plug.

    • The end plug protects this part of the saxophone.
    • Sometimes people forget about them or lose them, but they are a crucial part of the equipment.
    • The end plug ensures that the saxophone fits snugly inside the case.

Avoiding Cleaning Mops

One thing that's marketed for the inside of your saxophone are these big cleaning mops.

  • I really don't recommend using those, as they sit inside the instrument wet.
  • The whole point of a cleaning system is to get the moisture out of the saxophone; please avoid those cleaning mops.

Maintaining the Crook

  • You can use a brush for the crook; a simple bottle brush will do.
  • You don't necessarily have to do this every time you play, but it's good to do occasionally.

Dealing with Sticky Keys

A common problem, particularly with smaller saxophones like the alto and soprano, is a sticky G sharp key.

  • This is the G sharp key.
  • Unlike most keys, which are naturally open, this one remains shut most of the time.
  • The low C sharp key is connected to it, so when you move the G sharp key, the low C sharp key moves too.

Preventing and Fixing Stickiness

  • To prevent the G sharp key from sticking:

    • Get a small piece of card (very thin) and place it under the key after playing. This will help lift it and prevent stickiness.
  • If you already have a sticky G sharp key or any other sticky keys:

    • The best way to clean them is with lighter fluid.
    • Use a cotton bud to apply a little lighter fluid and clean around the pad and tone hole.

Additional Cleaning Tips

  • Use a soft cloth to keep the outside of the saxophone clean.

    • Be cautious with products; usually, a soft cloth is all you need.
    • For marks, just moisten the cloth slightly to remove them.
  • For hard-to-reach places, again, use a cotton bud.

    • They fit nicely in small areas underneath the keys.

General Care of Your Instrument

Please try to keep the instrument in its case.

  • Often, people leave the instrument on a stand, thinking it's easy to grab and play.
    • However, if you leave your saxophone assembled for long periods, it can lead to several issues:
      • Wearing down of the cork if the mouthpiece is left on.
      • The crook may not fit properly, leading to potential tightness.
      • The instrument collects dust and dirt and becomes more vulnerable to damage, like being knocked off its stand.

It doesn't take long to assemble your saxophone. Once you're used to it, you can put it together in a minute or two.

So please get into the habit of storing your instrument back in its case!

About the instructor

John O'Neill
John O'Neill

John O'Neill est le saxophoniste à l'origine de The Jazz Method for Saxophone, la série publiée par Schott qui a appris à improviser à toute une génération de musiciens à travers le monde. Publiée pour la première fois en 1991, elle reste l'une des méthodes de jazz les plus vendues jamais écrites, aux côtés de ses méthodes complémentaires pour clarinette et flûte.Il est venu au saxophone à vingt ans, alors qu'il étudiait le français et l'allemand au Trinity College d'Oxford, après avoir entendu John Coltrane. Il a ensuite étudié avec le grand ténor britannique Don Rendell et a appris l'improvisation auprès de Lee Konitz, Warne Marsh et Peter Ind, héritiers directs du légendaire pédagogue Lennie Tristano. Musicien professionnel depuis 1979, il est spécialisé dans le jazz et la bossa nova et s'est produit dans les plus grandes salles de Londres, dont le Ronnie Scott's, tout en composant de la musique pour le cinéma, la télévision, le théâtre et la danse.Enseignant diplômé fort de décennies d'expérience, John a enseigné le saxophone, la clarinette et la flûte en privé et dans des écoles, dans le cadre du cursus de jazz du Trinity College of Music de Londres et lors de stages d'été en Espagne et en République tchèque. Il continue de se produire et d'enseigner depuis son domicile au nord de Londres. read more

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25 lessons (2h 10m)
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