Leçon de rock 2 - Ajouter des silences
Lesson time: (1min 48sec)
Sophie Alloway présente le silence de noire et montre comment l'espace que tu laisses compte autant que les notes, et comment compter tout au long des exercices maintient ton timing stable.
Course preview
This lesson is part of the course Méthode de batterie Rockschool pour débutants
Watch a preview of the full course below.
Lesson transcript:
Introducing Rests: Quarter Note Rest
So now we're going to introduce rests, in this case, the quarter note rest.
The Importance of Rests
Rests are sometimes equally as important in music as the notes that we do play because we need to allow the music space to breathe a little bit. Sometimes some of the other instrumentalists might be playing in that part, and they don't want the drums.
Being Comfortable with Spaces
- We need to be really comfortable with the spaces we're leaving.
- I really recommend counting through these exercises and just counting in general.
As you get more advanced, you'll probably want to count in your head rather than out loud. I mean, if I'm doing gigs or recording sessions, I don't count out loud, but I am always thinking about:
- The timing
- The counting
- The space between the rhythms
Especially as the rhythms get a bit more syncopated, where the rhythms are in unusual places or where the rests are. You want to count to keep that constant.
Example 1: Adding a Rest
In example one, we're going to add a rest, a quarter note rest, to beat four.
- So again, we want to count, making sure that the rest lasts exactly the same amount of time as the notes that you're playing in the run-up to it.
Next, we're going to look at moving the rest around, perhaps putting it on beat two.
- Again, this is where your counting is very important, so you know where that is.
- You can also explore moving the rest between beat three, beat two, and beat four, getting comfortable with the space between what we're playing.
Additional Example: Multiple Rests
We're also going to take another example where there are two quarter note rests in a row.
- Definitely count through those so that we don't squeeze that gap and come in too early with the next bar.
About the instructor

Sophie Alloway est une batteuse de studio et de tournée au cœur de la scène jazz londonienne. Elle s'est produite avec Jason Rebello, Yazz Ahmed, Laurence Cottle et Tony Allen, et a notamment joué pour le prince Charles au palais de Buckingham peu avant qu'il ne devienne roi.Parmi ses tournées figurent Roots Manuva, la comédie musicale Thriller et Paul Stacey (Oasis / The Black Crowes). Elle est également la batteuse du groupe de fusion original Lydian Collective, qui compte plus de six millions d'écoutes sur Spotify.Sophie a enregistré des sessions aux studios Abbey Road, AIR et Angel, et ses apparitions télévisées incluent Later… with Jools Holland, Glastonbury et deux saisons de la série Ridley d'Adrian Dunbar. Elle figure sur Abbey Road Masters: The Drum Sessions et a joué pour les finalistes du BBC Young Jazz Musician 2024, diffusé sur BBC TV et à la radio. Jon Newey de Jazz FM l'a surnommée la « déesse du groove ». read more




