Exemple 3 - Paradiddles

Sophie Alloway
Sophie Alloway

Lesson time: (2min 37sec)

Sophie présente le paradiddle - un mélange de simples et de doubles coups - joué en noires régulières à 90 bpm, en veillant à ce que les doubles ne s'emballent pas.

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This lesson is part of the course Méthode de batterie Rockschool pour débutants
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Lesson transcript:

Lesson 3: The Famous Paradiddle

Now we're going to go on to Example Three, the famous Paradiddle. This technique is a combination of single strokes and double strokes.

Tempo and Timing

As I said, we're maintaining the same tempo: 90 beats per minute. I'm only playing quarter notes; I won't go to eighth notes or sixteenth notes at this stage.

Playing the Paradiddle

  • I'll play for four bars
  • Then you will
  • I'll do it again
  • Finally, you can have another chance

So, let's go with the paradiddle.

Count: 1, 2, 3, 4.

Tips for Playing the Paradiddle

Great! Just one thought I had as I was playing through that with the paradiddle:

  • You might sometimes feel that when you play the doubles (the three and four in a bar), since they're played by the same stick, it might feel like they naturally want to speed up a little bit. This is because we’re still getting used to controlling the feel of singles and doubles.

Focus on Timing

  • Doubles are played with the same stick, so focus on your timing.
  • If you feel the doubles picking up speed, revisit your stick technique:
    • Think about where the balance point is.
    • Consider the height at which you’re playing.

Experiment with Dynamics

You can try:

  • Playing them softly, with the stick only traveling up a little bit.
  • Playing them louder because, after all, we’re playing rock music, so we don't want to be too soft.

Additional Exercises

  • It's important to try different dynamics (different volumes).
  • If you're struggling with the doubles, go back to the double exercise and work on:
    • The weight of the stick
    • Making it feel comfortable

This will help ensure that when we combine singles and doubles into the paradiddles, you'll be ready!

About the instructor

Sophie Alloway
Sophie Alloway

Sophie Alloway est une batteuse de studio et de tournée au cœur de la scène jazz londonienne. Elle s'est produite avec Jason Rebello, Yazz Ahmed, Laurence Cottle et Tony Allen, et a notamment joué pour le prince Charles au palais de Buckingham peu avant qu'il ne devienne roi.Parmi ses tournées figurent Roots Manuva, la comédie musicale Thriller et Paul Stacey (Oasis / The Black Crowes). Elle est également la batteuse du groupe de fusion original Lydian Collective, qui compte plus de six millions d'écoutes sur Spotify.Sophie a enregistré des sessions aux studios Abbey Road, AIR et Angel, et ses apparitions télévisées incluent Later… with Jools Holland, Glastonbury et deux saisons de la série Ridley d'Adrian Dunbar. Elle figure sur Abbey Road Masters: The Drum Sessions et a joué pour les finalistes du BBC Young Jazz Musician 2024, diffusé sur BBC TV et à la radio. Jon Newey de Jazz FM l'a surnommée la « déesse du groove ». read more

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