Exemple 2 - Silence sur le temps 2
Lesson time: (1min 36sec)
Course preview
This lesson is part of the course Méthode de batterie Rockschool pour débutants
Watch a preview of the full course below.
Lesson transcript:
Exercise: Placing Rests on Beat Two
Now in the next exercise, we're going to put the rest on beat two.
- So again, keep counting so that you're confident with where that is.
- The counting will also help you stay in time with the backing track.
Note:
- There is a rest on beat two in the first, second, and third bars, but not in the fourth.
- In the fourth, you just carry on playing through it.
Structure
- Format: Okay. And again I'll play, you play, I play, you play.
- Counting: 1, 2, 3, 4. Great.
Benefits of Playing with a Backing Track
It's good playing with a backing track, isn't it?
- You can really focus on getting those notes to land with the guitars and with the bass.
- It’s sort of like experiencing what it's like to play in a band.
We're really lucky to have these tracks to practice these exercises with.
Alternative Practice
You can also practice with a metronome, but there's a built-in metronome here so you get the best of both worlds.
About the instructor

Sophie Alloway est une batteuse de studio et de tournée au cœur de la scène jazz londonienne. Elle s'est produite avec Jason Rebello, Yazz Ahmed, Laurence Cottle et Tony Allen, et a notamment joué pour le prince Charles au palais de Buckingham peu avant qu'il ne devienne roi.Parmi ses tournées figurent Roots Manuva, la comédie musicale Thriller et Paul Stacey (Oasis / The Black Crowes). Elle est également la batteuse du groupe de fusion original Lydian Collective, qui compte plus de six millions d'écoutes sur Spotify.Sophie a enregistré des sessions aux studios Abbey Road, AIR et Angel, et ses apparitions télévisées incluent Later… with Jools Holland, Glastonbury et deux saisons de la série Ridley d'Adrian Dunbar. Elle figure sur Abbey Road Masters: The Drum Sessions et a joué pour les finalistes du BBC Young Jazz Musician 2024, diffusé sur BBC TV et à la radio. Jon Newey de Jazz FM l'a surnommée la « déesse du groove ». read more




