Indie Checkpoint : mailloches

Sophie Alloway
Sophie Alloway

Lesson time: (2min 46sec)

Explore l'utilisation des mailloches pour créer des sonorités atmosphériques et des motifs de batterie polyvalents. Sophie présente leur emploi dans la batterie indie, en s'appuyant sur des styles issus du jazz et de la batterie cinématographique.

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This lesson is part of the course Méthode de batterie Rockschool pour débutants
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Lesson transcript:

Exploring the Use of Mallets in Drumming

So I know in the country section, I talked a little bit about some of the different tools you can use. It’s not all just about drumsticks.

Tools of the Trade

  • I use some brushes.
  • I use some hot rods.
  • Mallets: Now, there’s a very famous song by Fleetwood Mac, early Fleetwood Mac, Peter Green’s Fleetwood Mac, where Mick Fleetwood, the drummer, played mallets.

The Song: Albatross

  • Song: "Albatross"
  • Drummer: Mick Fleetwood
  • Focus: He focused on the toms and had a nice sizzle cymbal.

The pattern was something like this.

The Benefits of Using Mallets

I use mallets quite a lot in some of my work as a jazz drummer. They are also good for creating atmosphere.

Applications in Music

  • Some of the TV work I've done involves playing music for:
    • Crime dramas
    • Films

For instance, if you want the atmosphere to build during a tense moment—like when the detective is just about to discover a vital piece of information—you might want to play a little roll on the toms or cymbal rolls. It just has a much nicer, softer sound.

Characteristics of Mallet Playing

  • The way that the volume swells is a bit more subtle.
  • Occasionally, if I’m playing some kind of Latin groove on a jazz gig, it might be nice to play a little pattern across the toms.

So there we go—mallets are not often heard in indie drumming, but it’s a good time to talk about them because they produce a very different sound on the drum kit—one that I enjoy playing.

They also give you a chance to practice your single stroke rolls as well.

About the instructor

Sophie Alloway
Sophie Alloway

Sophie Alloway est une batteuse de studio et de tournée au cœur de la scène jazz londonienne. Elle s'est produite avec Jason Rebello, Yazz Ahmed, Laurence Cottle et Tony Allen, et a notamment joué pour le prince Charles au palais de Buckingham peu avant qu'il ne devienne roi.Parmi ses tournées figurent Roots Manuva, la comédie musicale Thriller et Paul Stacey (Oasis / The Black Crowes). Elle est également la batteuse du groupe de fusion original Lydian Collective, qui compte plus de six millions d'écoutes sur Spotify.Sophie a enregistré des sessions aux studios Abbey Road, AIR et Angel, et ses apparitions télévisées incluent Later… with Jools Holland, Glastonbury et deux saisons de la série Ridley d'Adrian Dunbar. Elle figure sur Abbey Road Masters: The Drum Sessions et a joué pour les finalistes du BBC Young Jazz Musician 2024, diffusé sur BBC TV et à la radio. Jon Newey de Jazz FM l'a surnommée la « déesse du groove ». read more

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114 lessons (3h 47m)
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