Lesson 5 of 24Music ProductionIntermediate

What you'll learn in this chapter

1:53

Building a submixer for your VST drum machine so each sound gets its own reverb, delay, pan, compression and filtering.

What's in the course

24 lessons (3h 29m) · 2 free
    • 01. What you'll learn in this chapter

      You are here

      1:53

    • 02. How to output Drumazon sounds to individual tracks

      16:58

    • 03. How to apply effects to drum groups

      5:08

    • 04. How to map software effects to an external controller

      12:44

    • 05. Let's save this setup & test it out!

      9:21

Lesson transcript

Music Lesson: Using MIDI Controllers with VST Drum Machines

Okay, so what I was doing there was using these two external MIDI controllers to control a VST drum machine inside Live.

Control Over Sound Parameters

I had control over some of the sound character and the actual parameters associated with the individual sounds. This includes:

  • Pitch of the individual sounds
  • Decay
  • Volume
  • The ability to trigger sounds

Submixer Setup

Over here, I've got a submixer set up:

  • Each of the individual sounds has the ability to have:
    • Reverb
    • Delay
    • Another effect, such as:
      • Panorama
      • Compression
      • Filter

All of the sounds are being treated individually, giving me a huge amount of control over the VST instrument that exists within Live.

Benefits of This Setup

This setup enables me to perform in a more interesting, more hands-on way. It also opens up more creative possibilities.

Additionally, it's considerably cheaper than going out and buying an original hardware TR909 and an analog mixing console, which would require routing all of the outs through that and processing everything using real hardware.

Conclusion

So let's have a look at how that's all done.

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Mark Burnett is an Ableton Certified Trainer who has worked with Ableton products for over 14 years. As a producer and DJ on Funk'n Deep Records, his tracks have featured at major festivals and in sets and podcasts from artists including Carl Cox and Richie Hawtin, and he has played to crowds of thousands. He also runs large-scale events such as Workhouse Project, and studied at Imperial College London. His course covers using Ableton Live to build live performances, and it suits electronic producers and performers who want to take a show out of the studio and onto the stage.

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