Lesson 21 of 24Music ProductionIntermediate

How to map TR-09 sounds to external Alesis drum pads

7:55

Mark Burnett shows how to set up an Alesis Control Pad to trigger TR-09 sounds in Ableton Live, so you can play the drum machine like a kit.

What's in the course

24 lessons (3h 32m) · 2 free
    • 01. Roland TR-09 unboxing and set-up in Ableton Live

      10:21

    • 02. How to control the TR-09 with Ableton Live & Push 2

      4:47

    • 03. How to map TR-09 effects to an external controller

      14:05

    • 04. How to map TR-09 sounds to external Alesis drum pads

      You are here

      7:55

Lesson transcript

Music Lesson: Setting Up MIDI Equipment

Introduction to the Alesis Drum Pad

"Right, so back to the table. Now, I've introduced an extra bit of kit here. This is an Alesis drum pad of some description; I forget the name exactly, Control Pad it's called.

Key Features:

  • No built-in sounds: Outputs MIDI only.
  • Connection: Very simple USB connection (MIDI in and out).
  • Traditional MIDI: Has five-pin DIN for traditional MIDI connection.

"USB is a great way to handle MIDI because in and out on one cable just makes life a lot easier."

Current Setup Overview

  • TR909: Great little selection of sounds.
  • Control Limitations: The knobs are very tiny and polished.

"So we've added these knobs here. Using our routing in Live, we can now control the key parameters of these sounds using the much more touch-friendly and better illuminated controls on here."

Playing Like a Drum Kit

The last thing I wanted to add is the ability to actually play this drum machine like a drum kit.

  • Introduction of Drum Pad: All I've done is plug it in so far.

Setting Up in Ableton Live

  • Default Settings: Most channels will be set to receive MIDI from all ins.
  • Process:
    1. Plug in your device and ensure it's recognized.
    2. Set preferences to activate the MIDI device.

"So all I need to do now is pull out my drumsticks and let's hit a few pads on here and see what happens."

Testing the Setup

  • Sounds:

    • Kick
    • Rim shot snare
    • Clap
    • Other drum sounds (low tom, closed hat, mid tom)
  • Device Features: This particular device has pages, allowing access to additional sounds.

"It's fairly responsive. It would be more responsive if I set the buffer in my Ableton Live to be a little bit shorter."

Live Jamming and Programming

  • Interactivity: Control the volume and jam patterns.
  • Pattern Creation:
    • Start a new kick drum pattern.
    • Program over the push.
  • Adjusting Sounds:
    • Fiddly adjustments: Use both the push and the controller for easier access.

"Okay, let's just have a listen to this snare."

Recording and Performance

  • Hit record on the push.

"And I think there's like a really good example of the kind of benefits that this could have."

Benefits of Integration

  • Static Beats vs Live Performance:
    • Easier to program static beats, but challenging to program drum rolls and fills.
    • Performing live adds complexity to fills.

"The ability to actually play fills in live stuff like snare rolls and just tom fills... is much easier."

Conclusion

In summary, we've combined:

  • A hardware drum machine for sound.
  • An external MIDI controller for extended access.
  • A tactile interface (drum pad) for live performance.

"This kind of augmentations of hardware and software can have a significant impact."

Final Notes:

  • Adapt your preferred musical interface (guitar, drums, bass, keys) to interact with almost any instrument.
  • Ensure it accepts MIDI and is set up correctly inside Ableton Live for optimal performance.

This setup enhances fluid interaction and creative possibilities for musicians in a live setting.

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Meet your guru

Mark Burnett

Mark Burnett

Mark Burnett is an Ableton Certified Trainer who has worked with Ableton products for over 14 years. As a producer and DJ on Funk'n Deep Records, his tracks have featured at major festivals and in sets and podcasts from artists including Carl Cox and Richie Hawtin, and he has played to crowds of thousands. He also runs large-scale events such as Workhouse Project, and studied at Imperial College London. His course covers using Ableton Live to build live performances, and it suits electronic producers and performers who want to take a show out of the studio and onto the stage.

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