Lesson 15 of 24Music ProductionIntermediate

Finalizing the Kaoss setup

7:02
In this lesson, Mark continues to set-up the Novation device to control the Kaoss Pad 3 parameters and effects.

What's in the course

24 lessons (3h 32m) · 2 free
    • 01. What you'll learn in this chapter

      1:18

    • 02. Let's get set-up (MicroKorg and Novation Launch Control)

      7:47

    • 03. MIDI CC messages & mapping Novation LC to MicroKorg parameters

      18:19

    • 04. Demo of the setup so far

      1:47

    • 05. Adding tactile effects with the Kaoss Pad 3

      13:11

    • 06. Finalizing the Kaoss setup

      You are here

      7:02

    • 07. Recap of what we've learned

      4:23

    • 08. Exploring the setup

      3:54

Lesson transcript

Finalizing the Setup: Macro Controls for Microcorg and Chaos Pad

So, let's just tidy this up and take this to the final stage now.

Assigning the Hold Button

  • Our second control (CC's) here is sending X and Y information.
  • We also have the hold button, which is quite useful.

Mapping the Hold Button

Let's map the hold button, which we know is CC95.

  • If we set control 3 to 95, you'll notice that as I turn this knob, I can turn the hold on and off.
  • I'm turning this up and down, and the hold button is coming on and going off accordingly.

Note: It may not necessarily make sense to have a dial that's assigned to a button that's on or off. But as you'll see when we implement that through the MIDI mapping, it kind of doesn't really matter. It makes perfect sense.

Changing Presets: Microcorg and Chaos Pad

The final thing we might want to do, as I alluded to before, is to be able to change the presets on both the Korg Microcorg and the Chaos Pad.

Labeling the Chains

  • If you remember, in the first chain on our instrument rack, it's probably a good time now to label these up:
    • Chain 1: Microcorg
    • Chain 2: Chaos

Using Max for Live Device

The Max for Live device made by Grimjack has a box at the end that we can assign to control the presets.

  • We can dial through or select presets from this drop-down box, which is quite useful.

Mapping to Macros

At this stage, we should map this to one of the macros for the entire group.

  • Open up the instrument rack and you'll see that we have eight macros available.
  • I'm going to go to this drop-down box and assign it to Macro 1.
    • You can see the tiny green dot that has appeared to indicate that it has been assigned.
  • Over here on the macros, I'm going to call this Micro PGM because that's the program number for the Microcorg.

Introducing Final Device: Dial to Program Change

Next, let's move to the chain for the Chaos Pad and introduce the final Max for Live device for this particular part of the course.

  • This device is called Dial to Program Change.
  • If I hit Command + F and start typing in "dial," we will see that it very quickly appears at the top of the list.

Adding the Device

  • Drag it down and drop it into this chain among the other MIDI devices.
  • This device is very simple; it has a dial and an increase/decrease button.
  • It enables us to send program change numbers or program change information to whichever device is at the end of that path, in this case, the Chaos Pad 3.

Mapping to Macro 2

  • If I move this program knob, you can see that we're changing the effect type currently active for the Chaos Pad 3.
  • Now, I'm just going to right-click and map that to Macro 2.
  • Let's rename this to Chaos Program.

Adding Colors and Additional Parameters

We now have two macros.

  • Let's give them a little bit of color.

Mapping X and Y Parameters

To make the interaction smoother, I'm also going to map the X and Y parameters to Macros 3 and 4.

  • Let's just give those some garish colors:
    • Macro 3: X
    • Macro 4: Y

Global Parameters for Microcorg

We should also choose one or two of the more significant global parameters from the Microcorg and map those to the macros.

  • I'm going to choose:
    • Amp Level (main level for the Microcorg)
    • Pan (global control)
    • Portamento (map to Macro 7)
    • Modulation Depth

These have automatically labeled themselves in the macros, so let's just give them some pretty colors.

Finalizing the Setup

The last thing to do is to give this an appropriate and useful name.

  • I'm going to start with my double zero prefix and call this Korg Setup.
  • Let's be even more specific: Microcorg and Chaos Setup.
  • Finally, I'll give it the MXB suffix, which is my personal identifier.

Shrinking the Rack

Now we can shrink this entire thing down.

  • We can also drag the external instrument and external audio effect into the rack just after the external instrument.
  • This ensures everything is contained within this rack.

Let's hit save.

  • It will save that in our user library.

Now we have built a really useful tool that provides great control over both the Launch Control and the Push, as well as a combination of the three devices.

Conclusion

Finally, we'll take a look at how this all works together and play around with it a little bit.

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Mark Burnett is an Ableton Certified Trainer who has worked with Ableton products for over 14 years. As a producer and DJ on Funk'n Deep Records, his tracks have featured at major festivals and in sets and podcasts from artists including Carl Cox and Richie Hawtin, and he has played to crowds of thousands. He also runs large-scale events such as Workhouse Project, and studied at Imperial College London. His course covers using Ableton Live to build live performances, and it suits electronic producers and performers who want to take a show out of the studio and onto the stage.

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