Lección de rock 2 - Añadir silencios
Lesson time: (1min 48sec)
Sophie Alloway presenta el silencio de negra y muestra cómo el espacio que dejas importa tanto como las notas, y cómo contar a lo largo de los ejercicios mantiene tu timing estable.
Course preview
This lesson is part of the course Método de batería Rockschool para principiantes
Watch a preview of the full course below.
Lesson transcript:
Introducing Rests: Quarter Note Rest
So now we're going to introduce rests, in this case, the quarter note rest.
The Importance of Rests
Rests are sometimes equally as important in music as the notes that we do play because we need to allow the music space to breathe a little bit. Sometimes some of the other instrumentalists might be playing in that part, and they don't want the drums.
Being Comfortable with Spaces
- We need to be really comfortable with the spaces we're leaving.
- I really recommend counting through these exercises and just counting in general.
As you get more advanced, you'll probably want to count in your head rather than out loud. I mean, if I'm doing gigs or recording sessions, I don't count out loud, but I am always thinking about:
- The timing
- The counting
- The space between the rhythms
Especially as the rhythms get a bit more syncopated, where the rhythms are in unusual places or where the rests are. You want to count to keep that constant.
Example 1: Adding a Rest
In example one, we're going to add a rest, a quarter note rest, to beat four.
- So again, we want to count, making sure that the rest lasts exactly the same amount of time as the notes that you're playing in the run-up to it.
Next, we're going to look at moving the rest around, perhaps putting it on beat two.
- Again, this is where your counting is very important, so you know where that is.
- You can also explore moving the rest between beat three, beat two, and beat four, getting comfortable with the space between what we're playing.
Additional Example: Multiple Rests
We're also going to take another example where there are two quarter note rests in a row.
- Definitely count through those so that we don't squeeze that gap and come in too early with the next bar.
About the instructor

Sophie Alloway es una batería de sesión y de gira en el corazón de la escena del jazz londinense. Ha actuado con Jason Rebello, Yazz Ahmed, Laurence Cottle y Tony Allen, y destaca por haber tocado para el príncipe Carlos en el Palacio de Buckingham poco antes de que se convirtiera en rey.Entre sus créditos de gira figuran Roots Manuva, el musical Thriller y Paul Stacey (Oasis / The Black Crowes). También es la batería de la banda original de fusión Lydian Collective, con más de seis millones de reproducciones en Spotify.Sophie ha grabado sesiones en los estudios Abbey Road, AIR y Angel, y entre sus apariciones televisivas se cuentan Later… with Jools Holland, Glastonbury y dos temporadas del drama Ridley, de Adrian Dunbar. Aparece en Abbey Road Masters: The Drum Sessions y tocó para los finalistas del BBC Young Jazz Musician 2024, emitido en BBC TV y radio. Jon Newey, de Jazz FM, la apodó la "diosa del groove". read more




