Ejemplo 3 - Paradiddles
Lesson time: (2min 37sec)
Sophie introduce el paradiddle -una mezcla de golpes simples y dobles- tocado como negras constantes a 90 bpm, poniendo el foco en que los dobles no se aceleren.
Course preview
This lesson is part of the course Método de batería Rockschool para principiantes
Watch a preview of the full course below.
Lesson transcript:
Lesson 3: The Famous Paradiddle
Now we're going to go on to Example Three, the famous Paradiddle. This technique is a combination of single strokes and double strokes.
Tempo and Timing
As I said, we're maintaining the same tempo: 90 beats per minute. I'm only playing quarter notes; I won't go to eighth notes or sixteenth notes at this stage.
Playing the Paradiddle
- I'll play for four bars
- Then you will
- I'll do it again
- Finally, you can have another chance
So, let's go with the paradiddle.
Count: 1, 2, 3, 4.
Tips for Playing the Paradiddle
Great! Just one thought I had as I was playing through that with the paradiddle:
- You might sometimes feel that when you play the doubles (the three and four in a bar), since they're played by the same stick, it might feel like they naturally want to speed up a little bit. This is because we’re still getting used to controlling the feel of singles and doubles.
Focus on Timing
- Doubles are played with the same stick, so focus on your timing.
- If you feel the doubles picking up speed, revisit your stick technique:
- Think about where the balance point is.
- Consider the height at which you’re playing.
Experiment with Dynamics
You can try:
- Playing them softly, with the stick only traveling up a little bit.
- Playing them louder because, after all, we’re playing rock music, so we don't want to be too soft.
Additional Exercises
- It's important to try different dynamics (different volumes).
- If you're struggling with the doubles, go back to the double exercise and work on:
- The weight of the stick
- Making it feel comfortable
This will help ensure that when we combine singles and doubles into the paradiddles, you'll be ready!
About the instructor

Sophie Alloway es una batería de sesión y de gira en el corazón de la escena del jazz londinense. Ha actuado con Jason Rebello, Yazz Ahmed, Laurence Cottle y Tony Allen, y destaca por haber tocado para el príncipe Carlos en el Palacio de Buckingham poco antes de que se convirtiera en rey.Entre sus créditos de gira figuran Roots Manuva, el musical Thriller y Paul Stacey (Oasis / The Black Crowes). También es la batería de la banda original de fusión Lydian Collective, con más de seis millones de reproducciones en Spotify.Sophie ha grabado sesiones en los estudios Abbey Road, AIR y Angel, y entre sus apariciones televisivas se cuentan Later… with Jools Holland, Glastonbury y dos temporadas del drama Ridley, de Adrian Dunbar. Aparece en Abbey Road Masters: The Drum Sessions y tocó para los finalistas del BBC Young Jazz Musician 2024, emitido en BBC TV y radio. Jon Newey, de Jazz FM, la apodó la "diosa del groove". read more




