Indie Checkpoint: mazas

Sophie Alloway
Sophie Alloway

Lesson time: (2min 46sec)

Explora el uso de mazas para crear sonidos atmosféricos y patrones de batería versátiles. Sophie introduce su uso en la batería indie, con referencias a estilos del jazz y de la batería cinematográfica.

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This lesson is part of the course Método de batería Rockschool para principiantes
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Lesson transcript:

Exploring the Use of Mallets in Drumming

So I know in the country section, I talked a little bit about some of the different tools you can use. It’s not all just about drumsticks.

Tools of the Trade

  • I use some brushes.
  • I use some hot rods.
  • Mallets: Now, there’s a very famous song by Fleetwood Mac, early Fleetwood Mac, Peter Green’s Fleetwood Mac, where Mick Fleetwood, the drummer, played mallets.

The Song: Albatross

  • Song: "Albatross"
  • Drummer: Mick Fleetwood
  • Focus: He focused on the toms and had a nice sizzle cymbal.

The pattern was something like this.

The Benefits of Using Mallets

I use mallets quite a lot in some of my work as a jazz drummer. They are also good for creating atmosphere.

Applications in Music

  • Some of the TV work I've done involves playing music for:
    • Crime dramas
    • Films

For instance, if you want the atmosphere to build during a tense moment—like when the detective is just about to discover a vital piece of information—you might want to play a little roll on the toms or cymbal rolls. It just has a much nicer, softer sound.

Characteristics of Mallet Playing

  • The way that the volume swells is a bit more subtle.
  • Occasionally, if I’m playing some kind of Latin groove on a jazz gig, it might be nice to play a little pattern across the toms.

So there we go—mallets are not often heard in indie drumming, but it’s a good time to talk about them because they produce a very different sound on the drum kit—one that I enjoy playing.

They also give you a chance to practice your single stroke rolls as well.

About the instructor

Sophie Alloway
Sophie Alloway

Sophie Alloway es una batería de sesión y de gira en el corazón de la escena del jazz londinense. Ha actuado con Jason Rebello, Yazz Ahmed, Laurence Cottle y Tony Allen, y destaca por haber tocado para el príncipe Carlos en el Palacio de Buckingham poco antes de que se convirtiera en rey.Entre sus créditos de gira figuran Roots Manuva, el musical Thriller y Paul Stacey (Oasis / The Black Crowes). También es la batería de la banda original de fusión Lydian Collective, con más de seis millones de reproducciones en Spotify.Sophie ha grabado sesiones en los estudios Abbey Road, AIR y Angel, y entre sus apariciones televisivas se cuentan Later… with Jools Holland, Glastonbury y dos temporadas del drama Ridley, de Adrian Dunbar. Aparece en Abbey Road Masters: The Drum Sessions y tocó para los finalistas del BBC Young Jazz Musician 2024, emitido en BBC TV y radio. Jon Newey, de Jazz FM, la apodó la "diosa del groove". read more

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114 lessons (3h 47m)
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