Ejemplo 2 - Silencio en el tiempo 2
Lesson time: (1min 36sec)
Course preview
This lesson is part of the course Método de batería Rockschool para principiantes
Watch a preview of the full course below.
Lesson transcript:
Exercise: Placing Rests on Beat Two
Now in the next exercise, we're going to put the rest on beat two.
- So again, keep counting so that you're confident with where that is.
- The counting will also help you stay in time with the backing track.
Note:
- There is a rest on beat two in the first, second, and third bars, but not in the fourth.
- In the fourth, you just carry on playing through it.
Structure
- Format: Okay. And again I'll play, you play, I play, you play.
- Counting: 1, 2, 3, 4. Great.
Benefits of Playing with a Backing Track
It's good playing with a backing track, isn't it?
- You can really focus on getting those notes to land with the guitars and with the bass.
- It’s sort of like experiencing what it's like to play in a band.
We're really lucky to have these tracks to practice these exercises with.
Alternative Practice
You can also practice with a metronome, but there's a built-in metronome here so you get the best of both worlds.
About the instructor

Sophie Alloway es una batería de sesión y de gira en el corazón de la escena del jazz londinense. Ha actuado con Jason Rebello, Yazz Ahmed, Laurence Cottle y Tony Allen, y destaca por haber tocado para el príncipe Carlos en el Palacio de Buckingham poco antes de que se convirtiera en rey.Entre sus créditos de gira figuran Roots Manuva, el musical Thriller y Paul Stacey (Oasis / The Black Crowes). También es la batería de la banda original de fusión Lydian Collective, con más de seis millones de reproducciones en Spotify.Sophie ha grabado sesiones en los estudios Abbey Road, AIR y Angel, y entre sus apariciones televisivas se cuentan Later… with Jools Holland, Glastonbury y dos temporadas del drama Ridley, de Adrian Dunbar. Aparece en Abbey Road Masters: The Drum Sessions y tocó para los finalistas del BBC Young Jazz Musician 2024, emitido en BBC TV y radio. Jon Newey, de Jazz FM, la apodó la "diosa del groove". read more




