Breathing exercise #5

With
John O'NeillJohn O'Neill's fifth breathing exercise: a hand on your chest, feeling it expand as you breathe in without letting your shoulders rise.
What's in the course
25 lessons (2h 10m) · 1 free
01. Posture
13:20

02. Fingering
4:10

03. The breath
4:12

04. Breathing exercise #1
3:24

05. Breathing exercise #2
4:34

06. Breathing exercise #3
2:29

07. Breathing exercise #4
1:27

08. Breathing exercise #5
You are here2:27

09. Embouchure & your first note
9:46

10. Troubleshooting your first note
9:34

11. Developing your sound
3:43

12. Tonguing exercise #1
4:36

13. Tonguing exercise #2
6:49

14. Final thoughts & practising
1:57
Lesson transcript
Final Exercise: Breathing and Relaxation
The final exercise involves you putting your hand flat on your chest.
- One hand on your chest.
- In this exercise, I want you to feel the expansion.
Important Note on Expansion
This is really important:
- The expansion is that way.
- It's not, as I mentioned earlier, this way.
So, this is wrong:
- Shoulders moving up.
But this is fine:
- Chest expanding without shoulder movement.
You see, in the second one, I'm not moving my shoulders up, but I can feel my chest expanding and that's absolutely fine.
Demonstration
Just to demonstrate:
- Hand on the chest.
- Breathe in through the mouth.
- Whispered "Ah."
Summary of Exercises
So just to summarize, we've done four exercises there. If you include the one on the floor, it's actually five:
- Lying on your back with the book on your stomach with the whispered "R"
- Standing up, hands here
- Hands at the back
- Hands at the side
- One hand on the chest
Daily Practice Tips
You don't have to do all of these exercises every day.
- I think when you first start playing the saxophone, I really recommend especially the one lying on your back on the floor.
- Sometimes, what happens is, you've had a hard day at the office or a tough day at school, you come back feeling a bit stressed.
Lying on your back is a really nice way to just relax for two to five minutes before you start playing.
- It's a nice way of getting nicely relaxed.
- You can even listen to music while you're doing it and remind yourself about how you're going to breathe.
Remember, we want to avoid bringing all the stresses from your day-to-day life into your practice room. Get yourself feeling nice and relaxed before you try and make a sound.
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Meet your guru

Meet your guru
John O'Neill is the saxophonist behind The Jazz Method for Saxophone - the Schott series that has taught a generation of players around the world to improvise. First published in 1991, it remains one of the best-selling jazz tutors ever written, alongside his companion methods for clarinet and flute.
He came to the saxophone at twenty, while reading French and German at Trinity College, Oxford, after hearing John Coltrane. He went on to study with British tenor great Don Rendell, and took improvisation from Lee Konitz, Warne Marsh and Peter Ind - direct heirs of the legendary teacher Lennie Tristano. A professional musician since 1979, he specialises in jazz and bossa nova and has played London's leading venues, including Ronnie Scott's, while also writing music for film, television, theatre and dance.
A qualified teacher with decades of experience, John has taught saxophone, clarinet and flute privately and in schools, on the jazz course at Trinity College of Music in London, and at summer schools in Spain and the Czech Republic. He still performs and teaches from his home in North London.























