Walk on the Wild Side' jam sur la M series - Jimmy Smith
Avec
Joe GlossopJoe Glossop improvise sur 'Walk on the Wild Side' de Jimmy Smith sur la M series, en montrant comment la reverb, le chorus vibrato, la percussion et le Leslie se combinent pour façonner le son.
Le contenu du cours
45 leçons (3h 0min) · 1 gratuites
01. Interprétation : 'Green Onions' de Booker T
3:01
02. Sonorités : 'Green Onions' Booker T
3:08
03. Jouer le morceau : 'Green Onions' de Booker T
8:21
04. Lignes mélodiques : 'Green Onions' Booker T
4:43
05. Ligne de basse : 'Green Onions' Booker T
2:01
06. Interprétation : Jimmy McGriff - All About My Girl
3:43
07. Interprétation vue clavier : Jimmy McGriff - All About My Girl
3:43
08. Sonorités : 'All About My Girl' - Jimmy McGriff
4:01
09. Intro : 'All About My Girl' - Jimmy McGriff
2:10
10. Jouer le thème : 'All About My Girl' - Jimmy McGriff
2:58
11. Ligne de basse : 'All About My Girl' - Jimmy McGriff
1:52
12. Fin : 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation et comping : 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vue du clavier : 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vue du clavier : 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vue du clavier : 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vue du clavier : 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vue du clavier : ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basé sur 'Blue Bash' - Jimmy Smith
7:59
12. Vue du clavier : blues d'après 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam sur la M series - Jimmy Smith
Tu es ici6:44
Transcription de la leçon
Walk on the Wild Side - Jimmy Smith Tune
Okay, so I'm going to do a little jam here on "Walk on the Wild Side," a Jimmy Smith tune. Just to show you a couple of different tones you can get on the M series here.
Overview of the Jam
- During that little jam there, I used a few different sounds:
- Started on second harmonic: The important thing with that track is that we had reverb on. Loads of reverb that's coming out of the internal speaker there on the right-hand side.
Playing with Reverb
-
You can play with the reverb to really bring out what you're doing. You get a trail on every note, allowing you to stretch out.
-
Second Harmonic: With that kind of Booker T setting, I had vibrato on.
- It's chorus vibrato, different from the C3. It can get a bit crazy.
- If you have a lot on, it's really noticeable, like a small celeste, kind of crazy vibrato on this instrument.
Sound Combinations
- There are a lot of nut sounds you can get.
- The combination of:
- Percussion
- Vibrato
- Reverb
Switching Tones
-
I used that with fast Leslie as well, which obviously gives a different sound.
-
Then I switched to a thinner sound and brought a bit of that in.
-
Drawbars: There's a pad on the bottom there, 8 and 4 drawbars.
- On an M100, this would be the bottom two drawbars.
- I'm using the reverb as a bit of a tool when changing between chords.
Cool Effects
- You really get that kind of trail on the end of it.
- It's just a cool effect, adding a bit of punctuation in the tune when you're playing alone like this.
Final Idea
- Then, what I did was play the melody as a big kind of phrase chord in a thin setting.
- You can use a piano country-style roll in those pullback phrases.
- The use of the Leslie and drawbars together creates a very cool effect.
There's a lot of stuff to try out here, many different tones. I hope that was helpful!
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Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T.
