Ken Lupper « marche »
Lesson time: (1min 46sec)
Course preview
This lesson is part of the course Joue de l'orgue Hammond de façon authentique
Watch a preview of the full course below.
Lesson transcript:
Crafting the Perfect Organ Sound
In this lesson, we'll explore how to effectively set your organ tone for ghosting and moving between chord changes in a song.
Setting Adjustments
- Primary Setting:
- Use mostly number eight.
- Incorporate a bit of the bass as well, depending on how bassy your instrument is.
Listening Example
There is a great track to listen to: "Amazing Grace" by Aretha Franklin, featuring organ player Ken Luppa.
Key Insights
- The track reflects a bluesy style.
- Notice how Ken uses a particular tone to walk up between the 1 and the 4.
- The song is in D flat and goes something like:
[Insert musical notation or description of the notes here]
Transition Techniques
- When changing the setting, consider that on the top, you might have something like:
[Insert musical notation or description of the notes here]
- Collaboration:
- It can be difficult to illustrate these points without the band present.
- The key is to implement these little changes and flourishes.
- Remember that getting out of the way is essential; this is what organ playing with a singer is all about.
About the instructor

Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T. read more




