La « ponctuation » vocale de Billy Preston
Lesson time: (1min 51sec)
Joe Glossop montre comment Billy Preston utilise la « ponctuation » tonale pour compléter un chanteur, en citant 'Live at the Fillmore West' d'Aretha Franklin comme l'album à étudier.
Course preview
This lesson is part of the course Joue de l'orgue Hammond de façon authentique
Watch a preview of the full course below.
Lesson transcript:
Exploring the Influence of Billy Preston
I'm a big, big fan of Billy Preston, for instance, and he comes from a very gospel school. There's a lot of manipulation of tones, used to punctuate what you're doing.
Key Insights
- If you've ever listened to Aretha: Live at the Fillmore West, he's all over that.
- That album is an absolute must if you want to get into playing organ and complementing a band and a singer.
- The way he moves between phrases in all those tunes is amazing; the way he uses the tones is truly remarkable.
Notable Performance: "Bridge Over Troubled Water"
Their version of "Bridge Over Troubled Water" always stands out to me.
- The stuff he does in the intro may seem difficult out of context, but if you listen to it closely, it will make sense.
- A lot of simple elements happen in between the vocal lines, and then suddenly, he'll use a different tone and walk down something like "wa."
Billy Preston's work is a brilliant example of how nuanced tonal control can elevate a performance.
About the instructor

Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T. read more




