La La means I love you' - Booker T
Avec
Joe GlossopJoe Glossop recrée le son Hammond de Booker T. Jones sur 'La La', en réglant les drawbars et la percussion derrière le son principal.
Le contenu du cours
45 leçons (3h 0min) · 1 gratuites
01. Interprétation : 'Green Onions' de Booker T
3:01
02. Sonorités : 'Green Onions' Booker T
3:08
03. Jouer le morceau : 'Green Onions' de Booker T
8:21
04. Lignes mélodiques : 'Green Onions' Booker T
4:43
05. Ligne de basse : 'Green Onions' Booker T
2:01
06. Interprétation : Jimmy McGriff - All About My Girl
3:43
07. Interprétation vue clavier : Jimmy McGriff - All About My Girl
3:43
08. Sonorités : 'All About My Girl' - Jimmy McGriff
4:01
09. Intro : 'All About My Girl' - Jimmy McGriff
2:10
10. Jouer le thème : 'All About My Girl' - Jimmy McGriff
2:58
11. Ligne de basse : 'All About My Girl' - Jimmy McGriff
1:52
12. Fin : 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation et comping : 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vue du clavier : 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
Tu es ici5:39
04. Vue du clavier : 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vue du clavier : 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vue du clavier : 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vue du clavier : ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basé sur 'Blue Bash' - Jimmy Smith
7:59
12. Vue du clavier : blues d'après 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam sur la M series - Jimmy Smith
6:44
Transcription de la leçon
Music Lesson: Booker T. Jones Tunes
Okay, guys, we're going to do a few Booker tunes. Sure, you've all heard of him, very famous for "Green Onions," obviously, but he did lots of other stuff, usually on a BLC3.
First Tune: "La La"
This first one's called "La La." It means "I love you." Strange title, but nice.
Tonal Characteristics
- The tones in this song are very interesting.
- He kind of uses a lot of different things all in the same space.
- Very good at switching between sounds.
Main Lead Sound
The main lead sound there is created with:
- A set of drawbars
- Second harmonic percussion
He plays it quite low down. There is a lot of top on this organ. On some organs, you might need to take some bass out, but on this one, you don't really play it down there. It can sound quite clunky and low.
Pad Settings
For the pad, we're using these two settings:
- If you've got numbers 8 and 4ft, it doesn't really matter about the drawbar settings.
Main Tone Creation
We'd play like this:
- C
- A
- B
- 11
That's how the main tone is created.
Dynamics and Swell
It's very interesting how he uses the swell in between chords. You can use it to really play with dynamics, making it engaging by coming in and out.
B Section
In the B section, it switches to a more toppy, full sound, depending on how you want to play it. You can kind of use glissando and that kind of technique. Personally, I find that I prefer that to other methods, it just doesn't work for me otherwise.
Switching Sounds
Those are the main tones used in the track.
- In terms of switching between sounds on this tune:
- From the lead line
- From the percussion
- To the mid-8 section
The switching requires careful attention:
- You've got to change the Leslie and the preset from one setting to another.
Key Switching Techniques
- From that set to that set in the gap, sort of thing.
- Leslie: different set of drawbars
- Coming out of that section requires the same approach: Leslie on slow again and then back to your original setting.
Summary
And so on! Enjoy the exploration of these tones and techniques in your playing!
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Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T.
