Les riffs de Jimmy Smith dans Organ Grinder's Swing

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Joe GlossopLe contenu du cours
45 leçons (3h 0min) · 1 gratuites
01. Interprétation : 'Green Onions' de Booker T
3:01

02. Sonorités : 'Green Onions' Booker T
3:08

03. Jouer le morceau : 'Green Onions' de Booker T
8:21

04. Lignes mélodiques : 'Green Onions' Booker T
4:43

05. Ligne de basse : 'Green Onions' Booker T
2:01

06. Interprétation : Jimmy McGriff - All About My Girl
3:43

07. Interprétation vue clavier : Jimmy McGriff - All About My Girl
3:43

08. Sonorités : 'All About My Girl' - Jimmy McGriff
4:01

09. Intro : 'All About My Girl' - Jimmy McGriff
2:10

10. Jouer le thème : 'All About My Girl' - Jimmy McGriff
2:58

11. Ligne de basse : 'All About My Girl' - Jimmy McGriff
1:52

12. Fin : 'All About My Girl' - Jimmy McGriff
1:51

13. Improvisation et comping : 'All About My Girl' - Jimmy McGriff
4:38

01. A Change is Gonna Come' - Sam Cooke
7:46

02. Vue du clavier : 'A Change is Gonna Come' - Sam Cooke
1:20

03. La La means I love you' - Booker T
5:39

04. Vue du clavier : 'La La means I love you' - Booker T
2:25

05. Groovin' Booker T & the MGs
4:57

06. Vue du clavier : 'Groovin' ' - Booker T & the MGs
1:15

07. Time is Tight' - Booker T & the MGs
5:31

08. Vue du clavier : 'Time is Tight' - Booker T & the MGs
1:39

09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17

10. Vue du clavier : ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36

11. Blues basé sur 'Blue Bash' - Jimmy Smith
7:59

12. Vue du clavier : blues d'après 'Blue Bash' - Jimmy Smith
3:24

13. Walk on the Wild Side' jam sur la M series - Jimmy Smith
6:44
Transcription de la leçon
Music Lesson: The Organ Grinder's Swing by Jimmy Smith
So this tune is won by Jimmy Smith called "The Organ Grinder's Swing."
Overview:
- A very well-known, recognizable tune.
- Contains moments that are true "Hammond history."
- Recorded in 1965, it stands out as one of his most famous pieces.
Key Elements:
- The tune features:
- A walk down that is prominent.
- A blues riff section that also stands out.
- While I've included a bass line, it's not what was originally on the record.
Focus Points:
-
Concentrate on:
- The rundown
- The tone
- The licks that make it distinct
-
From the top, it's something like:
- A little break follows.
Technical Breakdown:
-
Concentrate on the walk down from A flat:
- Actually playing sixths, not in root position.
- A flat (Ab) sixth; for example:
- C, F, A flat at the top.
-
The recognizable blues riff at the beginning:
- Recorded in 1965.
- One of the moments in tunes associated with a Hammond.
Additional Notes:
-
The piece utilizes a lot of blues elements:
- Slipping off the flat five.
- Slipping off the minor third.
-
The underlying progression has a swinging bass line:
- A traditional 12-bar blues structure.
Variations in Play:
-
One variation involves a dead stop, transitioning:
- From Ab down to F, then A down to G (still with the sixth).
-
Following this, transitions into a guitar solo.
Exploration of Licks:
- There are several variations of blues licks:
- Notably featuring trills and the recurrence of slipping off the flat five.
Practice Tips:
-
Explore specific riffs that are frequently used and repeated:
- It may seem fast, but the technique often involves simple slips off the flat five and the minor third.
-
Phrasing Suggestions:
- Mix up your phrasing.
- Pull back or push forward as needed.
- Don't hesitate to hold and repeat phrases.
The rundowns are integral to the piece, embodying everyday blues organ language, but this is where it really originated.
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Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T.































