Lignes mélodiques : 'Green Onions' Booker T
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Joe GlossopJoe Glossop décompose les lignes mélodiques de « Green Onions » à l'orgue Hammond, en travaillant la gamme blues de Fa, le phrasé slip-off et comment attraper le backbeat légèrement en retard.
Le contenu du cours
45 leçons (3h 0min) · 1 gratuites
01. Interprétation : 'Green Onions' de Booker T
3:01
02. Sonorités : 'Green Onions' Booker T
3:08
03. Jouer le morceau : 'Green Onions' de Booker T
8:21
04. Lignes mélodiques : 'Green Onions' Booker T
Tu es ici4:43
05. Ligne de basse : 'Green Onions' Booker T
2:01
06. Interprétation : Jimmy McGriff - All About My Girl
3:43
07. Interprétation vue clavier : Jimmy McGriff - All About My Girl
3:43
08. Sonorités : 'All About My Girl' - Jimmy McGriff
4:01
09. Intro : 'All About My Girl' - Jimmy McGriff
2:10
10. Jouer le thème : 'All About My Girl' - Jimmy McGriff
2:58
11. Ligne de basse : 'All About My Girl' - Jimmy McGriff
1:52
12. Fin : 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation et comping : 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Vue du clavier : 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Vue du clavier : 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Vue du clavier : 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Vue du clavier : 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Vue du clavier : ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues basé sur 'Blue Bash' - Jimmy Smith
7:59
12. Vue du clavier : blues d'après 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' jam sur la M series - Jimmy Smith
6:44
Transcription de la leçon
Understanding Lead Lines in F Blues Scale
So let's talk about the lead lines. It's basically almost all F blues scale. The only note that might be in there that isn't part of that is your G.
Key Elements
- A couple of slips that he does don't include maybe things from the scale, but we'll get to that in a second.
- The third harmonic is on there, which gives you a little extra sort of attack on the top of the note.
Phrasing and Technique
There are a lot of slips in this, and the phrasing is very intentional:
- It's all about slipping off notes and the way he's pulling it back.
- If you're playing it straight, you could go one way, and sometimes he does that, but sometimes he might go another.
- It's very much about trying to catch that backbeat as late as possible.
Demonstration
From the top, I'll do it without the bass now. As you can see, there's a lot of kind of putting notes in between your blues scale that aren't really included. But it's just an in-between kind of flourish.
- The D is in there, so that's your six included.
- And obviously, you're going up to your G; you got your six and your nine in there.
Repetition and Slips
There's a lot of repetition:
- E flat to F there, all slipped off each other.
- Slipped from the E flat to the F, and then slipped from the E to the F.
There's nothing that's out of bounds, really, but the main focus is that blues scale stuff. You can use any note to sort of get there.
After the Guitar Solo
So, in the second round after the guitar solo, a lot of the same kinds of things come into play.
- Phrasing is key. It's all about the dragging back.
- It's kind of a shade off playing it straight.
So there you have it, your lead lines.
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Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T.
