Tipos de copyright
Lesson time: (2min 6sec)
Course preview
This lesson is part of the course Fundamentos del negocio de la música para artistas
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Lesson transcript:
Understanding Musical and Lyrical Works vs. Sound Recordings
In the music industry, it's essential to differentiate between two types of works:
- Musical and Lyric Works: These are the actual songs themselves.
- Sound Recording Works: These are recordings of those songs.
The Importance of Distinction
It's important to bear in mind that these are entirely separate works. Let's start with the underlying music and lyrics. Historically, this structure was established during the era of Tin Pan Alley and Brill Building songwriters.
The Classic Songwriting Process
Imagine two men smoking cigarettes with an upright piano, writing music and lyrics together. This process typically involved:
- A lyricist providing lyrics.
- A composer (often at the piano) writing the music to accompany those lyrics.
It was a collaborative effort, often split 50/50.
Evolution of Collaboration
While some core principles still hold true, the landscape has changed dramatically. Nowadays, artists collaborate in a variety of ways:
- Some write everything themselves.
- Others collaborate with different producers and songwriters.
The lines between producers and writers have become increasingly blurred:
- Producers are no longer just facilitators of recording.
- They might create beats and musical arrangements, with a top-line writer composing lyrics over them.
Rights and Copyright
The evolution has made the understanding of rights quite complex. Here are the key points to remember:
- The copyright in the music and lyrics is an underlying right.
- Once a recording is made of that copyrighted work, a separate set of rights attaches to the sound recording.
Example: The Beatles' "Yesterday"
Take for example the Beatles' song "Yesterday."
- There is only one musical and lyrical work.
- However, there are multiple sound recording works, including:
- The original by the Beatles.
- Various cover versions by different artists.
Thus, from one song, there can be hundreds of sound recording works derived from the original music and lyrics.
About the instructor

Imogen Heap es una cantante, compositora, productora y tecnóloga inglesa ganadora de un Grammy, cuya influencia recorre dos décadas de pop, electrónica y música para cine — y buena parte de la tecnología que los artistas de hoy dan por sentada. Nacida en Londres en 1977 y con formación clásica en piano, violonchelo y clarinete, publicó su álbum debut 'iMegaphone' en 1998 antes de formar el dúo Frou Frou con el productor Guy Sigsworth, cuya canción 'Let Go' llegó a una audiencia global gracias a la película Garden State. Su álbum 'Speak for Yourself' (2005), escrito y producido íntegramente por ella, incluyó 'Hide and Seek', el hito a capela que después impulsó el nº 1 de Jason Derulo 'Whatcha Say' y 'Goodnight n Go' de Ariana Grande, y que sigue conquistando a nuevas generaciones de oyentes. 'Ellipse' (2009) ganó el Grammy en la categoría Best Engineered Album, Non-Classical — grabado en su propio estudio doméstico — y más tarde coescribió y produjo 'Clean' en '1989' de Taylor Swift, ganador del Grammy al Álbum del Año. También compuso la música de la obra teatral 'Harry Potter and the Cursed Child'. Innovadora incansable, Heap desarrolló los guantes gestuales MI.MU — reconocidos con tres doctorados honoris causa — y fundó Mycelia y The Creative Passport, iniciativas que construyen un ecosistema de datos más justo para los artistas. En 2024 regresó con 'What Have You Done to Me?', creada junto a su álter ego vocal de IA, Mogen, mientras el resurgir viral de 'Headlock' acercaba su música a millones de nuevos fans. read more




