IVA
Lesson time: (2min 28sec)
Por qué puede compensar registrarse para el IVA incluso cuando estás por debajo del umbral, para poder recuperar el IVA de tus costes iniciales.
Course preview
This lesson is part of the course Fundamentos del negocio de la música para artistas
Watch a preview of the full course below.
Lesson transcript:
VAT Registration Insights for Emerging Artists
Let's talk about the young guy that came to see me very recently.
After 15 months, he's not at a size where he should be.
VAT Registration Recommendation
While he statutorily has to register for VAT, we recommended that he should indeed become VAT registered.
Why VAT Registration?
The reason is simple:
- Many of the upfront costs are going to be VAT-able.
- For example, if we're going to charge him £500 for our time, well, there's another £100 on top of that for VAT. This suddenly makes the cost £600.
If he's not VAT registered, he can't claim back that VAT we have to charge. However, if he is VAT registered, he will get that £100 back.
Additional Costs
Considering his situation:
- He has lawyer fees.
- He's going to have to pay commission to his manager, who is also VAT registered.
- He's bought quite a lot of equipment, which is also VAT-able.
We informed him, "You might lose £2,300 on VAT."
He hasn't got sufficient money to absorb that loss.
Financial Overview
Also, the deal was about £50,000.
What we would then do is:
- Get him registered for VAT.
- Charge the VAT on that £50,000.
This would then give us an extra £10,000.
From that, we can deduct the costs incurred from that £10,000, and the rest gets paid back to the government.
Conclusion
Ultimately, it comes down to depends.
In this instance, the costs of registering for VAT and administering it more than justified the benefits.
It doesn't matter what size you are; it depends again on:
- How serious you are about your career
- How quickly you want to build your infrastructure
The sooner you establish your infrastructure and get the foundations right, the less you have to think about later on.
You can then concentrate on the creativity that an artist excels at, just as lawyers will concentrate on their legal requirements.
That's the important thing.
About the instructor

Imogen Heap es una cantante, compositora, productora y tecnóloga inglesa ganadora de un Grammy, cuya influencia recorre dos décadas de pop, electrónica y música para cine — y buena parte de la tecnología que los artistas de hoy dan por sentada. Nacida en Londres en 1977 y con formación clásica en piano, violonchelo y clarinete, publicó su álbum debut 'iMegaphone' en 1998 antes de formar el dúo Frou Frou con el productor Guy Sigsworth, cuya canción 'Let Go' llegó a una audiencia global gracias a la película Garden State. Su álbum 'Speak for Yourself' (2005), escrito y producido íntegramente por ella, incluyó 'Hide and Seek', el hito a capela que después impulsó el nº 1 de Jason Derulo 'Whatcha Say' y 'Goodnight n Go' de Ariana Grande, y que sigue conquistando a nuevas generaciones de oyentes. 'Ellipse' (2009) ganó el Grammy en la categoría Best Engineered Album, Non-Classical — grabado en su propio estudio doméstico — y más tarde coescribió y produjo 'Clean' en '1989' de Taylor Swift, ganador del Grammy al Álbum del Año. También compuso la música de la obra teatral 'Harry Potter and the Cursed Child'. Innovadora incansable, Heap desarrolló los guantes gestuales MI.MU — reconocidos con tres doctorados honoris causa — y fundó Mycelia y The Creative Passport, iniciativas que construyen un ecosistema de datos más justo para los artistas. En 2024 regresó con 'What Have You Done to Me?', creada junto a su álter ego vocal de IA, Mogen, mientras el resurgir viral de 'Headlock' acercaba su música a millones de nuevos fans. read more




