Conseguir representación: qué buscan los mánagers

Con
Imogen Heap¿Cómo consigues un mánager? ¿Qué buscan en un artista? Al principio, la gestión puede ser un acuerdo menos formal con amigos y familiares, pero a medida que crece el éxito necesitarás la experiencia de un profesional, y afrontar esta transición en tu equipo de gestión es uno de los primeros retos clave en la carrera de cualquier artista
Qué incluye el curso
44 lecciones (2h 11m) · 1 gratis
01. Conoce a los mánager: por qué los necesitas y qué hacen
2:35

02. Conseguir representación: qué buscan los mánagers
Estás aquí4:39

03. La naturaleza de la relación artista-mánager
5:18

04. Actuar con profesionalidad
2:50

05. ¿Quién es el siguiente? Formar tu equipo
2:14

06. Comisión habitual para los mánagers
2:56
Transcripción de la lección
How to Attract a Manager as an Artist
It is always difficult to fight to get a manager. This is the number one question we receive the most.
The Search for Management
There is no direct answer, apart from the one we always quote: A manager will find you. They will discover you if you're good and start drawing crowds or selling music. When you begin making money, that's when people will be attracted to you.
The Importance of Your Digital Profile
What is happening with you online as an artist is becoming increasingly important. Consider:
- Your digital profile
- How engaged you are with your audience
Platforms such as Twitter, Instagram, Facebook, and Vine are crucial. By actively demonstrating initiative, you not only show that you can do things yourself, but you also connect with an audience on a large scale.
Changing Dynamics in A&R
Traditionally, A&R people and managers would go to specific clubs in certain cities to gauge the vibe around an artist. The classic CBGB scenario doesn't happen as much anymore. Now, it's all about online visibility. That's where people are looking for action.
The Financial Reality
Of course, there is a huge issue here: when an artist is starting out, they are typically making no money. Consequently, the manager is also making no money. Thus, a manager must either:
- Have total belief in that artist, hoping to recoup their investment in the future, or
- Be successful in some other way, which is rare.
This often leads to the artist having to manage aspects of their career themselves, which can be uncomfortable.
Roles Within a Band
In a band, you might find that one member is more driven and wants to take on the management role. For a solo artist, this is a bit more difficult.
- Without that driven person, you tend to see friends, parents, or even former band members stepping in to take charge.
- These individuals often say, "I can book the gig, drive the van, sell the merch, and negotiate with promoters."
Growth of Management
This is how many artists get the help they need. Over time, these individuals may grow into proper managers or get replaced by more professional managers when the band starts becoming successful.
The Challenge of Keeping Up
It's difficult, particularly for someone who starts out helping an artist, to keep up with what is needed at various stages of an artist's career. If an artist becomes very successful very quickly, a good person who has been supportive from the beginning will recognize this.
- They may partner with someone more experienced or bring in additional help.
Trust and Relationships
The relationship between the manager and the artist is crucial. If there is trust, they'll work together. However, if whispers arise, suggesting that the manager lacks knowledge or that more help is needed, fractures can appear, and partnerships may dissolve.
In summary, building a successful artist-manager relationship requires patience, a strong digital presence, and an understanding of the evolving landscape of the music industry.
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Conoce a tu gurú

Conoce a tu gurú
Imogen Heap es una cantante, compositora, productora y tecnóloga inglesa ganadora de un Grammy, cuya influencia recorre dos décadas de pop, electrónica y música para cine — y buena parte de la tecnología que los artistas de hoy dan por sentada.
Nacida en Londres en 1977 y con formación clásica en piano, violonchelo y clarinete, publicó su álbum debut 'iMegaphone' en 1998 antes de formar el dúo Frou Frou con el productor Guy Sigsworth, cuya canción 'Let Go' llegó a una audiencia global gracias a la película Garden State. Su álbum 'Speak for Yourself' (2005), escrito y producido íntegramente por ella, incluyó 'Hide and Seek', el hito a capela que después impulsó el nº 1 de Jason Derulo 'Whatcha Say' y 'Goodnight n Go' de Ariana Grande, y que sigue conquistando a nuevas generaciones de oyentes.
'Ellipse' (2009) ganó el Grammy en la categoría Best Engineered Album, Non-Classical — grabado en su propio estudio doméstico — y más tarde coescribió y produjo 'Clean' en '1989' de Taylor Swift, ganador del Grammy al Álbum del Año. También compuso la música de la obra teatral 'Harry Potter and the Cursed Child'.
Innovadora incansable, Heap desarrolló los guantes gestuales MI.MU — reconocidos con tres doctorados honoris causa — y fundó Mycelia y The Creative Passport, iniciativas que construyen un ecosistema de datos más justo para los artistas. En 2024 regresó con 'What Have You Done to Me?', creada junto a su álter ego vocal de IA, Mogen, mientras el resurgir viral de 'Headlock' acercaba su música a millones de nuevos fans.


















































