PUSH 2

Brian Funk
Brian Funk

Lesson time: (6min 49sec)

Ableton Push macht live richtig Spaß, hat aber seine Nachteile. Brian teilt ein paar Tipps zu Problemen und Lösungen, die er dabei gefunden hat.

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This lesson is part of the course Liveauftritte in Ableton Live
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Lesson transcript:

Using Push for Live Performance

Okay, so Push is a lot of fun to use live, but there are a few things that I've run into. I'd like to share a couple of problems I've encountered and the solutions I've found.

Note Mode Issues

When I go into Note mode, Push gives me the notes for whichever track I have selected. For example, as I'm going through my track selections, if I happen to select another track for whatever reason, my note mode disappears.

Flow Disruption

This is a problem because, during a performance, if I lose my note mode, I need to scroll back to where I was. This interrupts my flow and may force me to look at the computer screen, which is something I want to avoid.

Solution: Mapping Buttons

To work around this, I've mapped my Play, Stop, and Record buttons to certain tracks within my live instrument section.

  • Play Button: Takes me to the drum track.
  • Stop Button: Maps to one of my synths towards the middle (the third one in this case).
  • Record Button: Takes me all the way to the right, which I've set up for any external gear.

This mapping is really handy if you lose track of which track you're currently on.

Dangerous Buttons

These button mappings also address another issue: If I'm playing and need to mess around with crossfade or vocal effects, I might accidentally hit Stop, which would kill the performance and result in total silence.

Imagine the embarrassment, the song is over, and everyone knows I made a mistake because the sound just cuts out.

Record Button Concerns

Similarly, if I'm recording my performance and accidentally hit the Record button while adjusting something, it may stop my recording, leading to the loss of the entire performance.

Optimized Mapping

To mitigate these risks, I customize my mappings:

  • Play goes to the drums.
  • Stop goes to a particular synth I use frequently.
  • Record is mapped to the last track.

This way, I can easily access any track if I need to switch!

Select on Launch Setting

One additional setting to be aware of is Select on Launch located under the Record, Warp, and Launch settings.

With Select on Launch enabled, when I select a track or clip, it automatically selects the track it's on. This messes up my focus on Push because it may cause my instrument to disappear right from under my fingers.

Recommendation

To avoid this, I recommend turning off the Select on Launch feature. This modification allows you to play sounds without anything slipping out from under your fingers.

Result

When I launch a clip with this setting off, it doesn't change my current focus, enabling a seamless addition of parts during performance.

Conclusion

Using Push has been a lot of fun, especially for playing instruments. The layout is intuitive for guitar players, and I find it effective for collecting clips in session mode.

I can blend improvised stuff created on the fly with pre-recorded material, which enhances the excitement of live performances. I'm discovering more ways to engage in improvisation and live construction of tracks, making the process enjoyable. It's truly a great live instrument!

About the instructor

Brian Funk
Brian Funk

Brian Funk ist Musiker, Produzent, Songwriter und Ableton Certified Trainer. Seit 2014 unterrichtet er den Kurs Advanced Music Production with Ableton Live für das Berklee College of Music. Er hat in tourenden Rockbands Gitarre, Bass, Schlagzeug und Synthesizer gespielt und gesungen, und konzentriert sich heute auf sein elektronisches Solo-Set, mit dem er seine Studio-Experimente auf die Bühne bringt.Brian liebt das Schreiben, das Unterrichten und das Sounddesign. Er produziert Ableton-Live-Tutorials und Sound Packs und veröffentlicht seit 2011 kostenlose Ableton Live Packs – bislang über 125. Als Ableton Certified Trainer hat er Unterricht und Seminare gegeben, die jede Phase des Produktionsprozesses abdecken, und schreibt regelmäßig auf seinem Blog sowie für andere Publikationen.Beeinflusst von Rock and Roll, Videospielen, frühem Hip Hop, Punk und Electronica – von The Beatles, Neil Young, Nirvana und Aerosmith bis hin zu Neon Indian – beschreibt er seinen eigenen Sound als 'futuristisch und doch nostalgisch'. In seinem MusicGurus-Kurs Live Performance in Ableton Live zeigt er dir, wie er Studio-Ideen in ein echtes, praxisnahes Live-Set verwandelt: Sounds sampeln und daraus spielbare Instrumente machen, Gitarren und Synths durch elektronisches Equipment leiten und live spielend und singend spontan mischen und komponieren. Am Ende bist du in der Lage, dein eigenes elektronisches Set selbstbewusst aufzubauen und zu performen. read more

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30 lessons (2h 20m)
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