Dummy-Bus-Spuren

Brian Funk
Brian Funk

Lesson time: (5min 13sec)

Brian Funk erklärt seine Dummy-(Bus-)Spuren in Ableton - das Routing des Audios mehrerer Spuren in eine einzige, um dieselben Effekte, etwa einen Drum-Filter, auf die ganze Gruppe anzuwenden.

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Lesson transcript:

Dummy Tracks Overview

Okay, so there's another section that I like to call my dummy tracks. Or perhaps the better word would be bus tracks.

Purpose of Dummy Tracks

Basically, these tracks receive audio from other tracks, and they all have effects applied to them. This setup allows me to group tracks together and apply the same effect to multiple tracks simultaneously.

Drum Dummy Track

The first track we'll look at is called my drum dummy track. This one is receiving audio from the drum track. If you notice, it says "Audio to Drum Dummy," which is the name of this track. This allows me to put effects only on the drums.

"So, if I could, I will just play you a few bars here, and you can hear that I'm going to affect only the drums."

I have a filter, which you'll see down here. I'm cutting out all the high frequencies and cutting out the lows. I've also got some beat repeats, which are nice for creating drum fills.

Combining Effects

The fun starts when you begin combining effects. Through this setup, I am able to apply effects only on my drums.

The Dummy Track

The next track here is just the dummy, which is receiving audio from multiple tracks. Notice that tracks three through eight are all routed to the dummy track. This track is applying a little compression with the mic.

"Basically, when I sing louder, I'm compressing the sound just a tiny bit so that my voice and the music blend nicely."

I've also got these little beat repeats here. When I play my track again, I can turn on different beat repeats, allowing me to experiment with my tracks in a fun way, including that with this little kill switch here.

Live Instruments Track

The next setup is my Live Instruments track, which receives audio from my live instruments. All my live instruments, except the microphone, go to this track.

With this track, I can affect the sound by adjusting the turn of a few knobs. The same goes for my launchpad instruments reverb.

"What's nice here is that I have a bunch of different tracks being affected by the same knobs, and that's really the goal here."

All But Vocals Track

Finally, I collect everything into a track called All But Vocals. All of these dummy tracks are routed to this one, allowing me to apply effects to everything except the vocals.

"So I can again play my track here. I can cut off the lows. Notice my voice stays the same."

There are other effects on here, such as reverb and delay, which are all useful for various purposes.

Purpose of Compression

It's important to point out that, for the sake of these tutorials, I am compressing the music a lot alongside my voice. This is so you can hear me clearly.

"I wouldn't usually do it this extreme in a live performance because then all you'd hear would be vocals."

Again, for this tutorial, I wanted you to hear my voice loud and clear. On my track, which funnels all my other tracks into it, I have a compression sidechain connected to the microphone.

Conclusion

So, those are the dummy tracks. We will dive into more detail about all these elements later, but for now, we're just providing an overview.

About the instructor

Brian Funk
Brian Funk

Brian Funk ist Musiker, Produzent, Songwriter und Ableton Certified Trainer. Seit 2014 unterrichtet er den Kurs Advanced Music Production with Ableton Live für das Berklee College of Music. Er hat in tourenden Rockbands Gitarre, Bass, Schlagzeug und Synthesizer gespielt und gesungen, und konzentriert sich heute auf sein elektronisches Solo-Set, mit dem er seine Studio-Experimente auf die Bühne bringt.Brian liebt das Schreiben, das Unterrichten und das Sounddesign. Er produziert Ableton-Live-Tutorials und Sound Packs und veröffentlicht seit 2011 kostenlose Ableton Live Packs – bislang über 125. Als Ableton Certified Trainer hat er Unterricht und Seminare gegeben, die jede Phase des Produktionsprozesses abdecken, und schreibt regelmäßig auf seinem Blog sowie für andere Publikationen.Beeinflusst von Rock and Roll, Videospielen, frühem Hip Hop, Punk und Electronica – von The Beatles, Neil Young, Nirvana und Aerosmith bis hin zu Neon Indian – beschreibt er seinen eigenen Sound als 'futuristisch und doch nostalgisch'. In seinem MusicGurus-Kurs Live Performance in Ableton Live zeigt er dir, wie er Studio-Ideen in ein echtes, praxisnahes Live-Set verwandelt: Sounds sampeln und daraus spielbare Instrumente machen, Gitarren und Synths durch elektronisches Equipment leiten und live spielend und singend spontan mischen und komponieren. Am Ende bist du in der Lage, dein eigenes elektronisches Set selbstbewusst aufzubauen und zu performen. read more

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