Picking a setlist

With
Katie MeluaImogen shares how she decides what to play live, building a setlist from a growing catalogue of solo records and band collaborations.
What's in the course
40 lessons (2h 33m) · 1 free
01. Getting started, open mics and unpaid gigs
2:52

02. Becoming local heroes and booking tours
6:12

03. Getting creative about gigs
3:44

04. Stagecraft – Jeremy from Everything Everything
2:21

05. Capitalising on your audience
4:50

06. Engaging Direct to Fan
7:41

07. Knowing your online audience and using data effectively
7:25
Lesson transcript
Touring and Song Selection: A Musical Journey
When I first started touring, I didn't have much to work with.
I only had one record, so I just played that record. Then, when I made another record, I had two records.
-
New Collaborations:
When I made my second record, I was with a band called Frou Frou. We just played that record. -
The Growing Collection:
With my third record, I then had:- One solo record
- A Frou Frou record
- My third record
At this point, I thought, "Oh, God, I've got all this stuff. How do I decide what to play?"
Finding the Right Balance
It felt kind of awkward throughout the tour, especially when I could sense the audience's reactions. Sometimes, you'd feel a slump, like "Oh, they didn't want to hear that one," or joy when they exclaimed, "Yay, we love this song."
- Feedback from the Audience:
By the end of the tour, I figured out which songs got the "yay" response. However, it's also important to play songs that make you happy, because that's your show too!
Polling for Favorites
As I found it possible to crowdsource this information about what people like to hear on tour, I began doing polls.
- The Process:
- I provide a list of a hundred songs and ask fans to tell me their favorites.
- Then, I play the top songs in each city.
But I also make sure to play half of what I want to play.
- Song Breakdown:
- Typically, I end up playing around 20 songs:
- 10 songs they voted for
- 5 songs I choose for myself
- Typically, I end up playing around 20 songs:
Interestingly, the song choices vary from city to city and around the world.
Global Influences
- For example, one song might have been featured in a Cornetto advert in Italy, while another might have appeared in The OC in the States but didn't reach China.
- A particular song may have been a hit in China because of a collaboration I did there.
Engaging the Fanbase
Using these tools that fans help build, or building your own, allows for great involvement.
- Setting the Stage:
At the start of the concert, I often say:
"You had the opportunity to vote, and if you didn't vote, then this is entirely your fault that I'm not playing the songs you wanted! I've done my best to be democratic about it, and this is what it's going to be."
This usually gets a good laugh, and everyone enjoys the experience!
40 lessons
2h 33m of structured video lessons
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Meet your guru

Meet your guru
Katie Melua is one of the UK's most successful recording artists, with more than 11 million albums sold worldwide and a string of multi-platinum releases. Born Ketevan Melua in Kutaisi, Georgia, in 1984, she moved with her family to Belfast as a child and later studied at the BRIT School in London, where she was discovered by songwriter and producer Mike Batt.
Her debut album 'Call Off the Search' (2003), released when she was 19, spent six weeks at No. 1 in the UK and went six-times platinum, driven by the hit single 'The Closest Thing to Crazy'. Its follow-up 'Piece by Piece' (2005) topped charts across Europe and featured her signature song 'Nine Million Bicycles'. In 2006 she earned a place in the Guinness World Records book by playing the deepest underwater concert ever staged, 303 metres below sea level on a North Sea gas platform.
A remarkable run of top-ten albums followed — 'Pictures' (2007), the William Orbit-produced 'The House' (2010), 'Secret Symphony' (2012) and 'Ketevan' (2013) — as Melua refined a sound that moves effortlessly between jazz, folk and classic pop songwriting. 'In Winter' (2016), recorded in Georgia with the Gori Women's Choir and produced by Melua herself, revealed a new depth to her artistry.
Her recent work is her most personal: 'Album No. 8' (2020) and 'Love & Money' (2023) drew some of the strongest reviews of her career, and 'Live at the Royal Albert Hall' (2024) celebrated two decades at the top of British music. She remains a captivating live performer, touring extensively across Europe and beyond.













































