Trouver le conflit

Rachel Lynes
Rachel Lynes

Lesson time: (3min 14sec)

Rachel Lynes explique pourquoi chaque chanson a besoin d'un conflit — un choix entre deux chemins — et comment trouver cette tension donne à ton interprétation sa raison et sa vérité.

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This lesson is part of the course Apprends le chant de comédie musicale avec une coach vocale du West End
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Lesson transcript:

The Importance of Conflict in Songwriting

I want to ask you: Why is it so important to acknowledge the conflict in any song?

What does that mean?
There has to be conflict in a song; otherwise, there's no point in singing it because you already know the answer.

Understanding Conflict
So, conflict is essentially being stuck between two choices:

  • Do I do this?
  • Do I do that?

The song serves as the vehicle for getting to the answer or, at least, for trying to find it. That conflict will give reason to your song and help you discover your truth, your authentic self.

Analyzing Songs for Conflict
Let's look at some of the songs we've explored during this course and identify what the conflict could be. Then, I want you to take your own song, grab pen and paper, and start to decide what the conflict might be and how it can help your songwriting.

Example 1: Defying Gravity

The first song we started off with was Defying Gravity.

This song presents a great conflict:

  • Am I going to fly?
  • Am I going to fall?

Imagine singing it while standing on the edge of a precipice. Are you going to run back to your old life, or are you going to open your wings and fly?

This push and pull can significantly elevate the song's emotional impact.

Raising the Stakes
What's even cooler about conflict is if you can turn up the volume on both of those questions:

  • Am I going to soar and fly high into the air?
  • Am I going to fall back and disappear into my old life?

By raising the stakes, we create more tension and depth, which we'll discuss in this lesson regarding stakes and conflict.

Example 2: Worse Things We Can Do

Another song we examined was Worse Things We Can Do from Grease.

Rizzo's conflict revolves around the choices she faces. Think about what that is! She expresses that there are worse things she could do than go with a boy, even if the neighbors think she's trashy and no good.

Her Choices
She contemplates:

  • She could stay home every night waiting for Mr. Right,
  • or take cold showers and wish her life away,
  • or she could pursue her desires.

This is her conflict: the struggle between various life choices. She realizes that she could either wait around or hurt someone else, but she's determined to walk her own path, contemplating multiple options.

Finding Your Own Conflict
So, have a think about your song.

  • What is your conflict?

Once you've found your conflict, there might be two different conflicts to explore. You can try both and up your stakes to intensify the struggle.

Let's find those conflicts and elevate your songwriting!

About the instructor

Rachel Lynes
Rachel Lynes

Rachel Lynes travaille avec des chanteurs allant des artistes de studio aux interprètes du West End. Elle étudie la voix depuis plus de 20 ans, avec un accent particulier sur le lien entre le chant, la santé mentale et le bien-être. Comme interprète, elle a passé 10 ans à tenir des rôles principaux dans le West End et à l'international, travaillant avec tout le monde, d'Andrew Lloyd Webber à des créatifs récompensés aux Tony et Olivier Awards. Affectueusement surnommée « la murmureuse de voix » par les chanteurs qu'elle accompagne, l'approche de Rachel est rigoureusement technique tout en restant accessible, alliant la science au cœur. Elle est aussi la fondatrice et la coach de the Sing Space, un studio en ligne mondial ouvert aux chanteurs de tous niveaux et abritant le premier Vocal Gym™ au monde, qui propose des cours collectifs, des cours de chant individuels et des occasions exclusives de se produire devant certains des créatifs les plus en vue du secteur, dont des directeurs de casting, des metteurs en scène, des producteurs et des stars du West End. Dans son cours MusicGurus, Rachel applique cette même méthode technique mais humaine au chant de comédie musicale, en te guidant à travers les techniques mêmes qu'elle utilise avec les interprètes du West End. read more

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18 lessons (1h 25m)
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