Session View & Arrangement View

Madeleine Bloom
Madeleine Bloom

Lesson time: (7min 4sec)

Un recorrido por las dos ventanas de Ableton Live: la Arrangement View basada en la línea de tiempo y la Session View basada en clips, y cómo se usa cada una.

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This lesson is part of the course Sonic Bloom presenta: Ableton Live 9 Essentials
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Lesson transcript:

Understanding Ableton Live: Session View vs. Arrangement View

In this video, I want to talk about both views in Ableton Live: the Session View and the Arrangement View. I've opened a live set that I've been working on a while ago to show you both.

Arrangement View

As you can see, we are currently in the Arrangement View, where all the tracks are aligned horizontally from top to bottom. For those of you who have already worked with or at least seen other DAWs (Digital Audio Workstations), this view will look familiar.

Features of Arrangement View

  • Fixed Timeline: It allows you to work along a fixed timeline, starting from bar one all the way to the end of the song or track.
  • Time Ruler: At the bottom, you have the time ruler, starting from 0 seconds to the end.
  • Best Used For: The Arrangement View is best used for producing, whether it's an original track, a song, or a remix. It is ideal for parts that are aligned along a fixed timeline.

I've already shown you that you can switch between both views using the buttons or the Tab key on your keyboard.

Session View

Now, let's switch to the Session View. In the Session View, the tracks are aligned vertically from left to right. One unique feature of the Session View, which is not present in the Arrangement View, is clip slots.

Features of Session View

  • Clip Slots: These are where you can drag and drop audio clips on audio tracks, MIDI clips on MIDI tracks, or record them.
  • Use Cases: The Session View is useful for:
    • Jamming
    • Playing live
    • DJing
  • Starting Clips: Each row of clips can be started with a scene, which is housed in the master track. For instance, you have a scene called "Scene One."

You can either start clips separately or start all the clips in one row with the Scene Play Button.

Connection Between Views

Both views are connected via the tracks, meaning they are not separate from each other.

  • In the Arrangement View, you'll find 10 tracks, and the same applies to the Session View.
  • When you click on a device (like Single Clips), they can hold different clips but share devices and sections like the in/out section, sends, mixer section, track delays, and the crossfader per track.

Clip Playback

Only one clip can play at a time.

  • In the Arrangement View, this makes total sense: one clip plays to the end before the next one starts.
  • The same principle applies to the Session View.

If you use both views together, the Session View has priority. For example, if you play in the Arrangement View and switch over to the Session View to start a clip, the clip in the Arrangement View will be greyed out, indicating it's not audible.

Back to Arrangement

When you switch to the Session View, you'll notice:

  • Play Button: This little play button appears.
  • Back to Arrangement Button: When pressed, all clips in the Session View stop, and playback returns to the Arrangement View. The Play button functions similarly but on a per-track basis.

Example:

  • If I start a scene, all the clips in that scene in the Session View will play, causing everything in the Arrangement View to grey out.
  • I can activate individual tracks to play without affecting others, a feature introduced in Live 9.

If you click on the Back to Arrangement button, none of the tracks will be greyed out anymore. Clicking playback will return to the Arrangement.

Additional Note

While I'm stopping and starting playback, you can actually do this while in playback mode. For example, if I'm playing in the Arrangement View right now, I can still start individual clips while playing.


This format provides a clearer structure for readers, allowing them to easily navigate and understand the key concepts discussed in the lesson.

About the instructor

Madeleine Bloom
Madeleine Bloom

Madeleine Bloom es una música de formación clásica, productora, multiinstrumentista y cantante de Berlín, y fundadora del sello Quixotica Records. Estudió música electroacústica en el Conservatorio Franz Liszt con el Prof. Robin Minard, y lleva esos métodos a su propia mezcla de pop electrónico. Su música ha recibido elogios de los productores Guy Sigsworth y Rupert Hine, así como una invitación personal de Imogen Heap, cuya gira abrió como telonera.Antigua agente de soporte técnico de Ableton, en 2012 fundó la plataforma online Sonic Bloom, donde enseña Ableton Live y producción musical mediante cursos, talleres y clases individuales. Ha ayudado a personas de todo el mundo con Ableton Live, Push y Max for Live, además de con ingeniería de sonido, teoría musical, composición y diseño de sonido. read more

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