Lección 11 de 36Producción musicalBeginner

Convertir audio a MIDI

Madeleine Bloom repasa las cuatro funciones de audio a MIDI de Ableton Live, incluyendo Slice to New MIDI Track y el troceado por transitorios.

Parte del cursoSonic Bloom presenta: Ableton Live 9 Essentials36 lecciones (5h 28m)

Esta lección forma parte del curso completo. 1 lección es gratis.

desde13 US$/mes

Explorar el curso
Cancela cuando quierasReembolso en 30 días
Madeleine BloomTu gurúMadeleine Bloom

Qué incluye el curso

36 lecciones (5h 28m) · 1 gratis
    • 01. Clips de audio

      11:30

    • 02. Time-Warping

      11:00

    • 03. Convertir audio a MIDI

      Estás aquí

      5:32

    • 04. Convertir la batería a MIDI

      5:46

    • 05. Convertir armonía en MIDI

      5:13

    • 06. Convertir melodía a MIDI

      4:42

    • 07. Convertir audio a MIDI usado mal a propósito

      5:23

    • 08. Clips MIDI

      13:29

    • 09. Usar grooves

      3:45

Transcripción de la lección

Audio to MIDI Functions in Live

In this video, you'll be learning about the four different converting audio to MIDI functions in Live.

Overview of Functions

Three of those functions are new, but I'll start with the one that is not new:

1. Slice to New MIDI Track

  • You can access this function by:
    • Right-clicking on any sample in the browser and selecting Slice to New MIDI Track.
    • Dragging and dropping a sample in, then right-clicking and choosing Slice to New MIDI Track again.

When you click on it, a window appears where you can choose how you want to slice the audio. The options available include:

  • Slice per Warp Markers: This would create just one slice if there is only one warp marker in the whole clip, which doesn't make much sense.

  • Transients: This option would result in 41 slices based on all the transients detected in the clip.

  • Different Measures: You can choose from various measures as well.

Recommended Choice: I'm going to go with Transients because that looks quite nice.

Functionality

What this function does is it cuts audio into predefined chunks, with each chunk assigned to a single MIDI note on a MIDI track.

  • Maximum Slice Limit: The maximum number of slices that can be created is 128, as that's the maximum number of MIDI notes available.

Slicing Presets

There are also slicing presets built-in, which simply create a drum rack with a simpler for each slice. Many of these include effects and can be quite useful. For example, using the Sampler Reverse option will automatically reverse all the samples, which is quite nice.

Creating Slices

  1. I'm going to stick with built-in presets and click OK.
  2. Now, 41 slices are created as well as a MIDI track.
  3. You'll see the drum rack and all the slices within it.

When you double-click on the clip, you'll see in the clip view that there are all 41 slices displayed in the piano roll with MIDI notes of the original length.

Playing the Clip

If we stop all clips by clicking on the Back to Arrangement button and start this clip, it plays exactly like the sample did.

Creating Variations

You can create variations in the following way:

  1. Double-click to create a MIDI clip that by default is one bar long and looped.
  2. You can make the view smaller and enlarge the clip view.
  3. Randomly click or draw by using the Draw tool (activated by pressing B).

Now, you've got an interesting variation!

  • If you have any sample that is just a couple of beats long and you like the sound but it gets boring, you can slice it to a new MIDI track and create variations that way.

Grid Settings

You can also use the Grid Settings commands in the MIDI clip, which work just like in an audio clip. For example, you can narrow the grid to create more variations.

Creative Possibilities

You can slice beats, but that's not the only option. You could use any kind of sample, really, just try stuff and get creative!

New Functions in Live 9

The new functions in Live 9 can convert sounds to a new MIDI track:

  1. Convert Harmony to New MIDI Track: Best for polyphonic sounds.
  2. Convert Melody to New MIDI Track: Great for monophonic sounds like vocals or bass lines.
  3. Convert Drums to New MIDI Track: Ideal for everything percussive.

I will delve into each of these in detail in the next four videos, and I'm excited to show you how you can use them very creatively!

13 US$/mesSuscripción

36 lecciones

5h 28m de lecciones en vídeo estructuradas

Funciones de vídeo avanzadas

Ralentiza, repite un pasaje, sigue la partitura

Móvil, tablet y ordenador

Practica donde quieras

Garantía de satisfacción 100%

30 días de garantía de devolución

Conoce a tu gurú

Madeleine Bloom

Madeleine Bloom

Madeleine Bloom es una música de formación clásica, productora, multiinstrumentista y cantante de Berlín, y fundadora del sello Quixotica Records. Estudió música electroacústica en el Conservatorio Franz Liszt con el Prof. Robin Minard, y lleva esos métodos a su propia mezcla de pop electrónico. Su música ha recibido elogios de los productores Guy Sigsworth y Rupert Hine, así como una invitación personal de Imogen Heap, cuya gira abrió como telonera.

Antigua agente de soporte técnico de Ableton, en 2012 fundó la plataforma online Sonic Bloom, donde enseña Ableton Live y producción musical mediante cursos, talleres y clases individuales. Ha ayudado a personas de todo el mundo con Ableton Live, Push y Max for Live, además de con ingeniería de sonido, teoría musical, composición y diseño de sonido.

Madeleine Bloom
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Aprende con Madeleine Bloom y cientos de otros profesores

Acceso ilimitado, con garantía de devolución

13 US$/mes

Suscripción