Convertir armonía en MIDI
Lesson time: (5min 13sec)
Madeleine Bloom muestra cómo usar Harmony to MIDI de Ableton Live 9 para convertir una grabación polifónica -aquí una parte de ukelele- en MIDI que puedes reproducir como un pad o cualquier otro sonido.
Course preview
This lesson is part of the course Sonic Bloom presenta: Ableton Live 9 Essentials
Watch a preview of the full course below.
Lesson transcript:
Tutorial Number Two: Audio to MIDI in Live 9
Welcome to tutorial number two in my series on my favorite Live 9 feature: Audio to MIDI. In the last tutorial, I demonstrated how to create beats using the Drum to MIDI function.
Result from Previous Tutorial
- Original Audio: Quite different from the result you can create.
Today's Focus: Harmony to MIDI
In this video, I want to show you how to use the Harmony to MIDI function creatively. We'll create a pad sound.
Step 1: Choose Your Audio File
- I've already chosen an audio file to save time.
- This is me playing the ukulele.
- Starting Point: I'm moving the start point to bar five, as that's where it begins.
- Duration: Four bars should be enough.
Step 2: Quick Playback
Let's quickly hear it.
- Change in Sound: A bit better and more complex.
Step 3: Convert Harmony to MIDI Track
To ensure the Harmony to MIDI function works well:
- Use only chords, no beats or vocals.
- If you can play an instrument, even if just a little, you can record that, perhaps warp it beforehand, and then quantize it.
Step 4: Default Sound and First Adjustments
By default, a grand piano sound is loaded, which you can change.
- Let's listen to the default sound:
- Turn Off Other Sounds: Not really too exciting yet.
Step 5: Quantizing
The first thing I'm going to do is quantize it.
Choosing a New Instrument
Now we need to choose a different sound since grand piano doesn't fit well here.
- Suggested Sound:
- Simpler pads work well for this.
- Let's take the first pad sound.
Step 6: Playback Adjustments
Let's play it:
- Volume Adjustment: It's quite loud, so let's turn it down by 6 dB.
- Feedback: Sounds pretty good like that!
Step 7: Create Variations
To illustrate quick variations:
- Duplicate the Track: Make it an octave higher.
- Further Duplication: Let's duplicate the track again.
Step 8: Finalizing the Pad Sound
Now you already have a nice pad sound. You can thin it out if you like.
- Example of thinning it out: Remove some sounds to achieve the desired effect.
Coming Up Next
In the next tutorial, I'll show you how to use Melody to MIDI to get a starting point for a bass track.
Closing
See you next time! Bye!
About the instructor

Madeleine Bloom es una música de formación clásica, productora, multiinstrumentista y cantante de Berlín, y fundadora del sello Quixotica Records. Estudió música electroacústica en el Conservatorio Franz Liszt con el Prof. Robin Minard, y lleva esos métodos a su propia mezcla de pop electrónico. Su música ha recibido elogios de los productores Guy Sigsworth y Rupert Hine, así como una invitación personal de Imogen Heap, cuya gira abrió como telonera.Antigua agente de soporte técnico de Ableton, en 2012 fundó la plataforma online Sonic Bloom, donde enseña Ableton Live y producción musical mediante cursos, talleres y clases individuales. Ha ayudado a personas de todo el mundo con Ableton Live, Push y Max for Live, además de con ingeniería de sonido, teoría musical, composición y diseño de sonido. read more




