Lección 12 de 36Producción musicalBeginner

Convertir la batería a MIDI

Descubre cómo utilizar la función Convert Drums to MIDI como punto de partida para una idea musical.
Parte del cursoSonic Bloom presenta: Ableton Live 9 Essentials36 lecciones (5h 28m)

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36 lecciones (5h 28m) · 1 gratis
    • 01. Clips de audio

      11:30

    • 02. Time-Warping

      11:00

    • 03. Convertir audio a MIDI

      5:32

    • 04. Convertir la batería a MIDI

      Estás aquí

      5:46

    • 05. Convertir armonía en MIDI

      5:13

    • 06. Convertir melodía a MIDI

      4:42

    • 07. Convertir audio a MIDI usado mal a propósito

      5:23

    • 08. Clips MIDI

      13:29

    • 09. Usar grooves

      3:45

Transcripción de la lección

Music Lesson: Converting Audio to MIDI in Live 9

Today I want to show you my favorite feature in Live 9 at the moment, which is the audio to MIDI function.

Starting with Beats

This can be a helpful tool if you're a newbie and you haven't made beats before. It serves as a great starting point for:

  • Learning how to build your own beats
  • Trying out different genres
  • Overcoming creative blocks

Lesson Introduction

I've chosen a track by Fixed Twin and I'm going to start with that.

  1. Right Click on the Audio Track:

    • You will see the new functions:
      • Convert Harmony to New MIDI Track
      • Convert Melody to New MIDI Track
      • Convert Drums to New MIDI Track

    But before we dive into these options, we should select a part that works quite well.

Preparing the Audio

  • Select and Warp: Let's click half warp from here. It should start at bar one.
  • Play the Track: After bar five, many more sounds come in, which we want to avoid. It's best to use the "Convert Drums to New MIDI Track" only on beats or drum loops.

Input Options

You can also:

  • Beatbox if you can
  • Tap something on your desktop and record that with a microphone

Just ensure the sound is percussive with minimal background noise.

Converting the Clips

Now, let's convert this!

Note: The longer the audio file, the longer it will take to convert.

After the conversion:

  • We might notice something missing at the beginning, this can be added later.
  • Remember to loop the clip.

Creating Your Beat

  • Copy the initial two bars to fill in the gaps.
  • Be cautious of clipping; if the audio is going into the red, we need to adjust it.

Using a MIDI effect, I'll select a kick (like the 606) but prefer something more creative.

  1. Searching for Sounds:
    • Let's go through packs.
    • Navigate to the core library and drop in the first sound.

Playing Your Beat

Now, let's play it.

Tip: You can create beats using several MIDI clips by converting different audio clips and experimenting with various kits and sounds.

Editing Your Beat

  • You can move things around or add new elements.
  • Duplicate clips easily:
    • On Windows: Control + D
    • On Mac: Command + D

You can also:

  • Copy a bar and duplicate it as needed.

Final Thoughts

You can already create a lot of variations with just this technique.

Listen: Play back your creation. No one would think that this is the same track!

Next Steps

That's it for now! The next tutorial in this series will focus on the harmony to new MIDI track feature, where I'll show you its applications.

See you next time!
Bye!

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Madeleine Bloom

Madeleine Bloom

Madeleine Bloom es una música de formación clásica, productora, multiinstrumentista y cantante de Berlín, y fundadora del sello Quixotica Records. Estudió música electroacústica en el Conservatorio Franz Liszt con el Prof. Robin Minard, y lleva esos métodos a su propia mezcla de pop electrónico. Su música ha recibido elogios de los productores Guy Sigsworth y Rupert Hine, así como una invitación personal de Imogen Heap, cuya gira abrió como telonera.

Antigua agente de soporte técnico de Ableton, en 2012 fundó la plataforma online Sonic Bloom, donde enseña Ableton Live y producción musical mediante cursos, talleres y clases individuales. Ha ayudado a personas de todo el mundo con Ableton Live, Push y Max for Live, además de con ingeniería de sonido, teoría musical, composición y diseño de sonido.

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