Walk on the Wild Side' M-series-Jam - Jimmy Smith
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Joe GlossopJoe Glossop jammt über Jimmy Smiths 'Walk on the Wild Side' an der M series und zeigt, wie Reverb, Chorus-Vibrato, Percussion und das Leslie zusammenwirken, um den Klang zu formen.
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45 Lektionen (3h 0m) · 1 gratis
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06. Aufführung: Jimmy McGriff - All About My Girl
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13. Improvisation und Comping: 'All About My Girl' - Jimmy McGriff
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11. Blues nach 'Blue Bash' - Jimmy Smith
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12. Keyboard-Ansicht: Blues nach 'Blue Bash' - Jimmy Smith
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13. Walk on the Wild Side' M-series-Jam - Jimmy Smith
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Transkript der Lektion
Walk on the Wild Side - Jimmy Smith Tune
Okay, so I'm going to do a little jam here on "Walk on the Wild Side," a Jimmy Smith tune. Just to show you a couple of different tones you can get on the M series here.
Overview of the Jam
- During that little jam there, I used a few different sounds:
- Started on second harmonic: The important thing with that track is that we had reverb on. Loads of reverb that's coming out of the internal speaker there on the right-hand side.
Playing with Reverb
-
You can play with the reverb to really bring out what you're doing. You get a trail on every note, allowing you to stretch out.
-
Second Harmonic: With that kind of Booker T setting, I had vibrato on.
- It's chorus vibrato, different from the C3. It can get a bit crazy.
- If you have a lot on, it's really noticeable, like a small celeste, kind of crazy vibrato on this instrument.
Sound Combinations
- There are a lot of nut sounds you can get.
- The combination of:
- Percussion
- Vibrato
- Reverb
Switching Tones
-
I used that with fast Leslie as well, which obviously gives a different sound.
-
Then I switched to a thinner sound and brought a bit of that in.
-
Drawbars: There's a pad on the bottom there, 8 and 4 drawbars.
- On an M100, this would be the bottom two drawbars.
- I'm using the reverb as a bit of a tool when changing between chords.
Cool Effects
- You really get that kind of trail on the end of it.
- It's just a cool effect, adding a bit of punctuation in the tune when you're playing alone like this.
Final Idea
- Then, what I did was play the melody as a big kind of phrase chord in a thin setting.
- You can use a piano country-style roll in those pullback phrases.
- The use of the Leslie and drawbars together creates a very cool effect.
There's a lot of stuff to try out here, many different tones. I hope that was helpful!
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
