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Lesson time: (5min 46sec)
In diesem Abschnitt spricht Joe über die Art von musikalischer Sprache und die Techniken, die für die Hammond einzigartig sind; damit klingst du beim Spielen wie ein Organist und nicht wie ein Pianist, der Orgel spielt
Die klassischen Versionen der Stücke aus diesem Kurs kannst du in Joes Spotify-Playlist hören schau sie dir hier an.
This lesson is part of the course Spiele die Hammond-Orgel authentisch
Watch this lesson for free below.
Lesson transcript:
Okay, so we're going to talk about a bit of distinctive Hammond language for you. This includes techniques that you will only really achieve on an organ and may not even sound good on another instrument.
One thing is a kind of fast repeated note that's made possible by the action of the organ and by the fact that you don't get all the harmonics at the same time.
I typically do it with my thumb and forefinger, but you can do it however you want. Some people just use one finger, which feels a bit messy for me. So, I like to rock between them.
You can actually put a few things in between if you prefer that style, it's quite a Jimmy Smith thing to do.
We also have the possibility of holding a note and just changing the drawbar settings. It sounds quite obvious, but it's really effective.
As you go for the desired drawbar setting to achieve the tone you want, remember:
One more thing is the percussive, scratchy, chokey sound you sometimes hear on records. A lot of the time, it's on the bottom manual, but you can also achieve it on the top with more of a gospel-like feel.
For example, in the key of C, you might play a bluesy lick followed by a walk down to F, B flat, F.
This is actually reminiscent of a track called "Love the One You're With," specifically the Aretha Franklin Live At Fillmore West version where Billy Preston plays. He's possibly my favorite player of all, an incredible musician!
Also, you could work on the second harmonic; however, you don't want to use your percussion once you've engaged the harmonic, as it tends to become messy and sounds too clunky.
For your percussion, try something more subtle and fitting.
Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T. read more
