Sounds: 'All About My Girl' - Jimmy McGriff
Mit
Joe GlossopJoe Glossop erklärt, wie du Jimmy McGriffs Hammond-Sounds bei 'All About My Girl' einstellst – Zugriegel- und Leslie-Einstellungen und das bluesige Phrasing hinter seinem Klang.
Das steckt im Kurs
45 Lektionen (3h 0m) · 1 gratis
01. Interpretation: 'Green Onions' von Booker T
3:01
02. Sounds: 'Green Onions' Booker T
3:08
03. Das Stück spielen: 'Green Onions' von Booker T
8:21
04. Lead-Lines: 'Green Onions' Booker T
4:43
05. Basslinie: 'Green Onions' Booker T
2:01
06. Aufführung: Jimmy McGriff - All About My Girl
3:43
07. Aufführung aus Keyboard-Sicht: Jimmy McGriff - All About My Girl
3:43
08. Sounds: 'All About My Girl' - Jimmy McGriff
Du bist hier4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Das Thema spielen: 'All About My Girl' - Jimmy McGriff
2:58
11. Basslinie: 'All About My Girl' - Jimmy McGriff
1:52
12. Schluss: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation und Comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Keyboard-Ansicht: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Keyboard-Ansicht: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Keyboard-Ansicht: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Keyboard-Ansicht: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Keyboard-Ansicht: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues nach 'Blue Bash' - Jimmy Smith
7:59
12. Keyboard-Ansicht: Blues nach 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' M-series-Jam - Jimmy Smith
6:44
Transkript der Lektion
Understanding the Tones and Phrasing
Let's talk about how tones are created and the approach to phrasing in this real attitude song, which essentially embodies the blues.
Structure and Settings
- It's a 12-bar blues.
- The third harmonic is set up here.
- You're working with a classic jazz setting.
Leslie Effect
- For most of the song: The Leslie effect was set to stop.
- Footswitch setting: It starts on stop.
Phrasing
The phrasing in this piece is indicative of McGriff's playing.
Key Characteristics
- There's a lot of movement from the sixth to the minor third.
- This creates a major-minor blues dynamic, blurring the lines between the two.
Notable Techniques
- McGriff employs various techniques:
- Single notes that highlight this tension.
- A section in the solo featuring a big voice, like a horn line, which is unusual.
Unique Style
Typically, this kind of sound might be characterized as gospel. Instead, McGriff uses a jazz setting, which is not often heard.
Challenges
- This tune presents a challenge because:
- Each beat in the solo section is a full chord.
- It's easy to catch unwanted notes.
Example
When slowed down, it might sound something like this:
- I caught a couple of notes there that I didn't want, but it isn't a significant issue at speed, as long as you maintain the right impetus and feel.
Conclusion
The use of the sixth to minor third is definitely something to consider. McGriff employs many fast-paced repetitions of the same note, which are stylistic hallmarks found throughout his work. This particular tune encapsulates McGriff's style, showcasing why he's my favorite in the blues-jazz sphere.
45 Lektionen
3 Std. 0 Min. strukturierte Videolektionen
Erweiterte Videofunktionen
Verlangsamen, Passagen loopen, mitlesen
Handy, Tablet & Desktop
Üben, wo du willst
100 % Zufriedenheitsgarantie
30 Tage Geld-zurück-Garantie
Lern deinen Guru kennen
Lern deinen Guru kennen
Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
