Slides (Glissandi)
Mit
Joe Glossop
Das steckt im Kurs
45 Lektionen (3h 0m) · 1 gratis
01. Interpretation: 'Green Onions' von Booker T
3:01
02. Sounds: 'Green Onions' Booker T
3:08
03. Das Stück spielen: 'Green Onions' von Booker T
8:21
04. Lead-Lines: 'Green Onions' Booker T
4:43
05. Basslinie: 'Green Onions' Booker T
2:01
06. Aufführung: Jimmy McGriff - All About My Girl
3:43
07. Aufführung aus Keyboard-Sicht: Jimmy McGriff - All About My Girl
3:43
08. Sounds: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Das Thema spielen: 'All About My Girl' - Jimmy McGriff
2:58
11. Basslinie: 'All About My Girl' - Jimmy McGriff
1:52
12. Schluss: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation und Comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Keyboard-Ansicht: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Keyboard-Ansicht: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Keyboard-Ansicht: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Keyboard-Ansicht: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Keyboard-Ansicht: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues nach 'Blue Bash' - Jimmy Smith
7:59
12. Keyboard-Ansicht: Blues nach 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' M-series-Jam - Jimmy Smith
6:44
Transkript der Lektion
Music Lesson: Two-Handed Techniques and Hammond Moments
When you're just kind of sliding up and catching some in, you may do it with two hands. If you're not holding down a bass line, something like a full sound, there are a lot of those two-handed, percussive techniques that are used.
Key Points:
-
Appearance vs. Reality:
- It looks like more than it is; it's really just a lot of that kind of technique used again in context.
-
One-Handed Techniques:
- You can do a kind of one-handed version of those techniques even if you are holding down a bass line.
- All you need to do is hit the first couple of contacts, and at speed, it sounds like you're actually playing chords all the way up sometimes, particularly with a bigger sound.
Glissando
- There's a great version of "Why I Showed a Pale" that Billy Preston plays on with King Curtis.
- There's a solo section that goes something along the lines of:
- "It's very thin but quite densely voiced."
- It changes the setting quite a lot as he goes on, which is very cool.
- There's a solo section that goes something along the lines of:
Gospel Influences
Using techniques at number eight is a way to create a big, impactful sound.
- It's particularly good in gospel music because of the big sweeps involved.
- There are many things that aren't gimmicks but can be thrown in as purely Hammond moments and interspersed into your playing.
Summary
Incorporating these techniques into your playing enhances your sound and adds depth to your performances.
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
